About Us
Welcome to CRAFT
Established in 2017 as a literary magazine for fiction, CRAFT expanded in 2020 to publish creative nonfiction as well. We explore how writing works, reading pieces with a focus on the elements of craft, on the art of prose. We feature previously unpublished creative work weekly, with occasional reprints, as well as weekly critical pieces including essays on narrative craft, interviews, book annotations, and more. All published creative pieces includes an author’s note and an editorial introduction that each discuss craft and stylistics in the work.
We do not charge fees for our fiction or creative nonfiction submissions, or for our various craft categories, and we are a paying market. Our general submissions are open year-round with no capacity limits. We value accessibility—keeping CRAFT free to read and free to submit to is our priority. We work with all writers, established as well as emerging. All creative work published in CRAFT comes through submission; we do not solicit fiction or CNF.
We offer editorial feedback on short and flash fiction, and we offer fast response categories for short and flash fiction whenever possible.
Our Values
As a tenet of our editorial philosophy, we do not discriminate on the basis of age, ancestry, disability, family status, gender identity or expression, national origin, race, religion, sex or sexual orientation, or for any other reason. Additionally, we do not tolerate discrimination in the writing we consider for publication. Work we find discriminatory on any of the bases stated here will be declined without complete review. We reserve the right to refuse service to bigots—in some cases, we may ban writers from submitting work to us again.
Further, we actively recognize that publishing needs to better-reckon with its systemic racism. Structural inequality must be dismantled. Diversity is not enough—we need inclusion, equity, and reparations. We add our voice to the chorus of those in the anti-racist global movement seeking justice and change. We support and uplift the work of marginalized and historically mis- and underrepresented writers. See our page in support of Black Lives Matter for more. And please visit our Resources page for more information on anti-racism, representation, and inequality in publishing.
Further still, while the original VIDA/CLMP #saferLIT program no longer exists, we support survivors and agree with the program’s original intent: “To believe victims who come forward about their experiences, and to do what [we] can to assist in getting help and address the situation immediately. To not deny the experience, gaslight, or dismiss those who come forward.” To that end, we will deplatform writers we’ve published if we learn of their bigotry or harassment elsewhere.
Send Writing
CRAFT is open year-round to all writers. We currently feature two separate submission categories each for fiction and for creative nonfiction, based on the length of the work submitted: flash fiction and flash creative nonfiction, for work fewer than 1,000 words; and short fiction and creative nonfiction, for work up to 6,000 words. For more information, please see our submit page.
We also conduct several contests each year.
Contact
All inquiries can be sent to: contact@craftliterary.com
Masthead
Editor in Chief: Kristin Tenor
Associate Editor: Suzanne Grove
Section Editors:
Creative Nonfiction—Jacqueline Doyle
Short Fiction—Albert Liau and Kathy Ngoc Nguyen
Editor at Large: Katelyn Keating
Editorial Consultants (Editorial Feedback): Alyse Burnside, Alyson Mosquera Dutemple, Mike Goodwin, Suzanne Grove, Katelyn Keating, Claire Lobenfeld, Sam Risak, Vandana Sehrawat, David K. Slay, Kristin Tenor, Cynthia Zhang
Editorial Assistants:
Creative Nonfiction—Matt Biundo and Alyse Burnside
Flash Fiction—Elizabeth Bluth
Interviews—Sam Risak
Short Fiction—Claire Lobenfeld
Art & Marketing Assistant: Sam Risak
Production Assistant: Matt Biundo
Readers: Shedrack Akanbi, Marguerite Alley, Mant Bares, Melissa Benton Barker, Amy Barnes, L. Shapley Bassen, Matt Biundo, Elizabeth Bluth, Jahzerah Brooks, Alyse Burnside, Dana Cann, Anthony Cardellini, Allison Carr, Kyle Cochrun, Matt Dube, Paige Patterson Duff, Jamie Etheridge, Mike Goodwin, Nneoma Kenure, Bronwen Keyes-Bevan, Joelle Kidd, Kristen Zory King, Zachary Kocanda, Namrata Kolachalam, Shara Kronmal, Claire Lobenfeld, Emma Margraf, Laura Marshall, Sam Risak, Austin Ross, Timi Sanni, Rowena Leong Singer, David K. Slay, Vijayalakshmi Sridhar, Tanya Zilinskas
Founding Editors: Laura Spence-Ash and Kim Winternheimer
Former Editors: Katelyn Keating, Editor in Chief 2018–2021; Laura Spence-Ash, Editor in Chief 2017–2018; Alex Berge, Associate Editor 2019–2020 & Short Fiction Section Editor 2018; Tommy Dean, Flash Fiction Section Editor 2018–2020; Jennifer Jellen, Short Fiction Section Editor 2018–2019
Assistant Hall of Fame: Anthony Cardellini, Art & Marketing 2021; Thomas Ferriello, Flash Fiction Editorial Assistant 2020–2021; Jesse Motte, Short Fiction Editorial Assistant 2020–2021
Reader Hall of Fame: Rascher Marie Alcasid, Andrea Auten, Jakob Bailey, Nicole Barney, Cameron Baumgartner, Melissa Bowers, Winston Bribach, Hannah Christopher, Lena Crown, Rebekah Daniel, Peter Dennis, Alyson Mosquera Dutemple, Thomas Ferriello, Catherine Findorak, Téa Franco, Rosemary Graham, Troy Graham, Natalie Harman, Kristen Havens, Rose Heredia, Hannah Jackson, Ryanne Kap, Mike Keeper, Wilson Koewing, Kurt Kroeber, Janice Leagra, Claudia McCarron, MJ McGinn, Corey Miller, Priyanka Moorjani, Jesse Motte, Dev Murphy, Barathi Nakkeeran, Hayley Neiling, Elizabeth Ochsner, Ashley Paul, Vandana Sehrawat, Leslie Shen, Tom Shute, Casey Smith, Mary Thompson, Mary Vensel White, Kori Wood, Angela Workoff, and Cynthia Zhang
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