>

Exploring the art of prose

Menu

THE CLASSROOM CORNER

We often hear from creative writing instructors that they find CRAFT to be very useful in the classroom. We listened, and we've made this corner as a quick resource, a curated list of some of our favorites. This list is NOT exhaustive—our pages are full of short fiction, flash fiction, critical essays, interviews, book reviews and annotations, roundups of all things literary, and more. This is a handy place to start!

We will continually update this list, so check back when making those syllabi, and for quick inspiration anytime.

When Everything Is Too Big, Write Small: Grounding in Micro Memoir

November 24, 2020

  By Deirdre Danklin • In the morning, the cat puts her nose on my nose and meows. My husband gets up, feeds her, and makes oatmeal. I stare at the ceiling and don’t think anything. Then it’s: Get up, brush…

Read More

Hybrid Interview: Tara Isabel Zambrano

November 17, 2020

  Essay by Kristin Tenor • Virginia Woolf writes in her novel Orlando: A Biography: “Nothing thicker than a knife blade separates happiness from melancholy.” Perhaps the same might be said by the characters inhabiting Tara Isabel Zambrano’s debut short…

Read More

A Closer Look: GOING SHORT

November 10, 2020

  By Amy Barnes • Nancy Stohlman’s bio reads: Writer, Professor, Performer. Her new craft book, Going Short: An Invitation to Flash Fiction, explores aspects of flash fiction including inspiration, writing, editing, workshopping, the form, collections, and an index of…

Read More

Hybrid Interview: Chloe N. Clark

October 27, 2020

  Essay by Jesse Motte • In a period of world history characterized largely by mandated physical distancing, Chloe N. Clark’s debut collection, Collective Gravities, is an important reference for navigating inner and outer spaces. The collection, driven by character…

Read More

For Better or Worse: On the Failure of the Stand-Alone Excerpt

October 20, 2020

  By Maria Cichosz • The first time I tried to turn part of my novel into a publishable excerpt, I immediately knew it was hopeless. I had just finished working on one novel and was deep into another, having…

Read More

Interview: Leesa Cross-Smith

October 13, 2020

  Inventive. Authentic. Honest. All these words have been used to describe Leesa Cross-Smith’s work, yet the same very well could be said about the author herself. Writer, wife, mother of two, unabashed Christian, she often credits her family and…

Read More

Art of the Opening: What’s an Opening to Do?

October 6, 2020

  Toward a Taxonomy of How Stories Start An invitation. A doorway. A promise to—or even contract with—the reader. There are various ways to think about the opening of a story, but rather than consider what it should be, let’s…

Read More

Detail: Applying a James Wood Lens to Deborah Eisenberg’s “Like It or Not”

September 29, 2020

  By Christopher Hathaway • In reading James Wood’s literary criticism, specifically the essays “What Chekhov Meant by Life,” “Serious Noticing,” and “Anna Karenina and Characterisation” from his latest collection, Serious Noticing, one comes to understand how detail functions in…

Read More

Looking at LOVE: Toni Morrison’s Construction of Desire and Obstacle

September 22, 2020

  By Emilee Prado • Toni Morrison’s novel Love grapples with the vast, mutable, apparitional human experience that we compress into that four-letter word taken as the title. For those who have fallen in and out of romantic love, for…

Read More

Hybrid Interview: Megan Cummins

September 15, 2020

  Framing the Stories: If the Body Allows It by Megan Cummins Essay by Laura Spence-Ash • The architecture of If the Body Allows It, Megan Cummins’s stunning debut story collection, is unique: there are two sets of stories within…

Read More