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Editorial Feedback Platform

Editorial Feedback Platform

Need new eyes on your short prose?
Our team would love to work with you!


CRAFT offers editorial feedback on creative prose up to 6,000 words. We’ve carefully chosen a team of qualified editors to provide thoughtful critique. For each piece sent, you’ll receive line-level marginal notes, as well as a two-page global letter discussing the strengths of the writing and the recommended focus for revision. While editorial feedback is inherently subjective, our suggestions will always be actionable and encouraging. Please allow up to twelve weeks to receive your feedback materials.

For your convenience and savings, we offer two options—single letters and triple letters. Rates are detailed below. Triple letter packages offer an 8% discount.

To request ONE editorial feedback letter (plus notes) on your submission,
click here:

submit

To request THREE editorial feedback letters (plus notes) on your submission,
click here:
submit

All work sent through this platform will also be considered for publication in CRAFT. Should we accept your work, no feedback will be given the fee will be refunded.

If you have questions about submissions, please send an email to: contact (at) craftliterary (dot) com.


Testimonials from Previous Recipients of CRAFT Editorial Feedback:

As a published author of 75+ academic and professional articles, reports, and two (academic) books, I have to say that David K. Slay’s feedback on my fledgling short story “John Huff” was the most thorough, perceptive, and helpful feedback and writing coaching I have ever received. I am very grateful for their attention to detail, voice, and flow—something I craved as I continue my journey into this daunting genre.  —Marjorie S.

I was so pleased with the feedback I received from Kyle Cochrun. His comments demonstrated that he understood what I was trying to accomplish with the essay and that he was “thinking with me” as he closely read my draft. He didn’t make a single comment that left me scratching my head—in fact, just the opposite. His feedback was like a private class in essay writing, and helped me see how to look at my drafts for unplumbed opportunities and to apply the strengths he identified to develop those opportunities. I’ve already completed the revisions and believe the piece is much stronger for his guidance.  —Aggie S.


Rates:

  • Flash fiction / flash creative nonfiction up to 1,000 words (one flash piece or up to three micro* pieces totaling fewer than 1,000 words): $59 for one letter OR $149 for three letters
  • Short story / creative nonfiction essay from 1,000 to 3,500 words (one piece): $79 for one letter OR $199 for three letters
  • Short story / creative nonfiction essay from 3,500 to 6,000 words (one piece): $99 for one letter OR $249 for three letters

*For our purposes, micros should be about 333 words maximum apiece, please. Include all three micros in ONE document.

How you can help us when sending work for our review:

  • Please send only .doc or .docx files if possible, so that we can use MS Word’s Track Changes for our marginal notes.
  • Kindly double-space and use Times New Roman 12.

Guidelines:

  • CRAFT Editorial Feedback is open to all prose writers.
  • Please send fiction or creative nonfiction only.
  • International submissions are welcome.
  • Please submit work primarily written in English, but conceptually or stylistically necessary code-switching is warmly welcomed.
  • Please adhere to the 6,000-word-count maximum.
  • If sending up to three micros, include all pieces in ONE document.
  • Work that has received editorial feedback is not eligible for submission to CRAFT contests.
  • We strongly discourage simultaneous submissions in conjunction with editorial feedback. If your piece is already under review by our team and you withdraw it, we will not be able to offer a refund. If you withdraw your piece before we have begun feedback, we will be happy to let you substitute another piece of equal length.
  • We do not discriminate on the basis of age, ancestry, disability, family status, gender identity or expression, national origin, race, religion, sex or sexual orientation, or for any other reason.
  • Additionally, we do not tolerate discrimination in the writing we consider for publication. Work we find discriminatory on any of the bases stated here will be declined without complete review (you will be refunded, less fees).

Editorial Feedback Team:

JOANNA ACEVEDO (she/they) is the Pushcart-nominated author of the poetry collection The Pathophysiology of Longing (Black Centipede Press, 2020) and the short story collection Unsaid Things (Flexible Press, 2021). Her work has been seen across the web and in print, including or forthcoming in Hobart Pulp, The Rumpus, and The Masters Review. She received her MFA in Fiction from New York University in 2021 and is supported by Creatives Rebuild New York: Guaranteed Income for Artists. Find her on Twitter at @jo_avocado.

YAEL VALENCIA ALDANA (she/her/hers) is a writer and editor living in South Florida. She holds an MFA in Creative Writing from Florida International University. She is a Best of the Net nominee, and her work has appeared or is upcoming in Chapter House Journal, Typehouse, Slag Glass City, and elsewhere. She is currently working on a memoir. Find her on Twitter @Yaelwrites71.

MELISSA BENTON BARKER is the flash fiction section editor at CRAFT. A graduate of the MFA program at Antioch University Los Angeles, her writing appears in Longleaf Review, Moon City Review, Wigleaf, SmokeLong Quarterly, and Best Small Fictions 2021. She has received Pushcart and Best of the Net nominations. She lives in Yellow Springs, Ohio.

ALYSE BURNSIDE is a writer and editor living in Brooklyn. She holds an MFA from University of Nevada, Las Vegas. Her work has appeared in The Atlantic, The Nation, The Believer, and elsewhere. She’s working on a book.

KYLE COCHRUN (he/him) is a writer living in Seattle, Washington. He is a contributing writer for PopMatters, where he writes features, interviews, and album reviews. His essays and creative nonfiction have appeared in The Akron AnthologyWatershed Review, Echo, and CRAFT. He received an MFA in creative writing from the Northeast Ohio Master of Fine Arts graduate program.

ALEXA DORAN recently completed her PhD in poetry at Florida State University. Her full-length collection DM Me, Mother Darling won the 2020 May Sarton New Hampshire Poetry Prize and was published in April 2021 (Bauhan). She is also the author of the chapbook Nightsink, Faucet Me a Lullaby (Bottlecap Press 2019). Look for work from Doran in recent or upcoming issues of PleiadesWitness, Salt Hill Journal, and Gigantic Sequins, among others.

BRANDON DUDLEY is the  author of Hazards of Nature: Stories, selected by Sigrid Nunez as the winner of the 2020 Maine Writers and Publishers Alliance Chapbook Contest. His writing, interviews, and criticism have appeared in New South, The Millions, The Forge, Fiction Writers Review, North by Northeast 2, and others. He holds an MFA from the University of Nevada, Reno at Lake Tahoe. He lives in Maine with his wife and two sons. Find him on Twitter @brandondudley8.

ROSS FEELER’s fiction has appeared in Electric Literature‘s “Recommended Reading,” The Common, New South, Potomac Review, Story | Houston, Hypertext, and others. His novel-in-progress received the Marianne Russo Award from the Key West Literary Seminar and was a finalist for James Jones First Novel Award. He teaches English at Texas State University.

B. B. GARIN is a writer living in Buffalo, New York. Her echapbook, New Songs for Old Radios, is available from Wordrunner Press. Her work has appeared in Hawaii Pacific Review, Luna Station Quarterly, Palooka, 3rd Wednesday, Crack the Spine, and more. She is currently a prose reader and blog contributor for The Masters Review. She continues to improve her craft at GrubStreet Writing Center, where she has developed several short fiction pieces, as well as two novels. Connect with her online @bb_garin.

COURTNEY HARLER (she/her) is a queer writer, editor, and educator based in Las Vegas, Nevada. She holds an MFA in Creative Writing (Fiction) from the University of Nevada, Reno at Lake Tahoe (2017) and an MA in English (Literature) from Eastern Washington University (2013). Courtney is currently editor in chief of CRAFT and editorial director for Discover New Art, and has read and written for UNT’s Katherine Anne Porter Prize, The Masters Review, Funicular Magazine, Reflex Fiction, and Chicago Literati in recent years. She also hosts the literary podcast PWN’s Debut Review, as well as teaches and edits for Project Write Now, a nonprofit writing studio in New Jersey. For her creative work, Courtney has been honored by support from Key West Literary Seminar, Writing By Writers, Community of Writers, Napa Valley Writers’ Conference, and Nevada Arts Council. Courtney’s work has been published in multiple genres in literary magazines around the world. Find her on Instagram @CourtneyHarler.

KATELYN KEATING (she/her) was the editor in chief of CRAFT from 2018 to 2021 and now serves as editor at large. She was a 2017 fellow of the LA Review of Books Publishing Workshop and has been on their faculty since 2018, overseeing PubLab, leading the magazine track as a program manager, and serving as the publisher coordinator for LITLIT: The Little Literary Fair. She is a production manager with Berrett-Koehler Publishers, and was the production and operations manager at Prospect Park Books until it left California in 2021. Her essays appear in Crab Orchard ReviewFlywayLunch TicketTahoma Literary Review, and elsewhere. Katelyn has an MFA from Antioch University Los Angeles, where she worked for two years on Lunch Ticket, serving as editor in chief for issues 11 and 12. Find her on Twitter @katelyn_keating.

JILL KOLONGOWSKI writes the Substack Tiny True Stories and is also the author of the essay collection Life Lessons Harry Potter Taught Me (Ulysses Press, 2017). Her work also appears in Electric Lit, Insider, the Los Angeles Review of BooksBrevityRiver Teeth, and elsewhere. Her essays have won Sundog Lit’s First Annual Contest series and the Diana Woods Memorial Prize in Creative Nonfiction at Lunch Ticket, and she earned her MFA from St. Mary’s College of California. Jill teaches writing at the College of San Mateo, and lives in Northern California with her husband and daughter. Find her on Twitter @jillkolongowski.

VAL M. MATHEWS is a big-hearted, fun-loving editor who teaches courses in developmental editing for the University of California Berkeley Extension, Queen’s University in Ontario, Canada, and the Editorial Freelancers Association in New York City. Val also freelances on the side and works as an editorial consultant for CRAFT and The Masters Review. Previously, she was an editor for The Wild Rose Press, a small traditional publishing house in New York. She earned an MA in Professional Writing from Kennesaw State University and a BFA from the University of Georgia. Fun fact about Val: She’s been an FAA-certified flight instructor for over twenty-five years, and in the past, she flew Lear jets for a living.

GABRIEL MOSELEY is a writer and editor from Seattle, Washington. His work has appeared in The Masters ReviewNordic KulturStratus, and Alaska Airlines’ Alaska Beyond Magazine. He received an MFA from the University of North Carolina Wilmington and certificates in both editing and literary fiction from the University of Washington. He has been a finalist for the Made at Hugo House Writing Fellowship, LitMag’s Virginia Woolf Award for Short Fiction, and the Haleakalā National Park Residency. He is a guest editor for The Masters Review. 

GAGE SAYLOR is the assistant director of creative writing at Oklahoma State University. His fiction and poetry have appeared in Passages NorthTampa ReviewCrab Creek ReviewIron Horse, and elsewhere. He has won the Katherine Anne Porter Prize at Nimrod and is a previous semifinalist for the Kurt Vonnegut Speculative Fiction Prize at North American Review. He received his MFA at McNeese State University, where he was awarded the Robert Olen Butler Prize for Fiction.

After retiring from full-time work, DAVID K. SLAY completed a two-year program of short fiction writing workshops in the University of California, Los Angeles, Writers’ Program. His short stories, flash fiction, and microfiction can be found in a group of diverse literary journals, including Door Is A Jar, Gold Man Review, ImageOutWrite, The Magnolia Review, Random Sample Review, Ginosko Literary Journal, American Writers Review, and others. Nonfiction craft articles are in CRAFT and Submittable’s “Content for Creatives,” and he has served as a guest editor for Vestal Review. He has been a submissions reader for CRAFT since 2019, and is currently an associate editor for the short fiction section.