THE CLASSROOM CORNER
We often hear from creative writing instructors that they find CRAFT to be very useful in the classroom. We listened, and we've made this corner as a quick resource, a curated list of some of our favorites. This list is NOT exhaustive—our pages are full of short fiction, flash fiction, creative nonfiction, critical essays, interviews, roundups of all things literary, and more. This is a handy place to start!
We will continually update this list, so check back when making those syllabi, and for quick inspiration anytime.
The Fiction Writer’s Free Will Problem
By Ayşe Papatya Bucak • I imagine many of us have heard the common textbook wisdom that story is dictated by a character’s desire, plot is generated by what characters do in the face of their desire, and endings occur…
The Hybrid Essay: A Trial of the Metals
By Alexa Will • 1867–nonfiction, noun. Prose writing other than fiction, such as history, biography, and reference works, esp. that which is concerned with the narrative depiction of factual events; the genre comprising this. —From Oxford English Dictionary This…
I Am a Dragon Joss Stick: An Essay by Yee Heng Yeh
Starting-starting I better tell the readers that this won’t be their typical primary school karangan, isn’t it? I know one, just because they see the title, sure they thinking they so clever, already know the whole story from Paragraph…
Parts by Allison Field Bell
I. He tells me my body is deteriorating. Just like that. He says, “Your body is deteriorating.” Part 1 of me says Fuck you. Part 2 of me weeps. II. We’re fighting about sunflowers again. Or maybe the…
Erasure: It’s For Nonfiction Writers Too!
By Kristine Langley Mahler • Some of the most fascinating creative nonfiction lives on the fringes of genre-play, borrowing from both fact and fiction, both poetry and prose. Essayists, memoirists, and nonfiction hybridists frequently use tools from fiction to create…
Creative Nonfiction Techniques: Perhapsing and the Truth of Gaps in Memory or Knowing
By Lexi Lilly • Growing up, I was scared to swim in Kentucky Lake, a reservoir created after the construction of Kentucky Dam, just outside my hometown of Murray. One day, my fiancé wanted to go cliff jumping, having…
Ambiguity in the Speculative Impossible
By JB Andre • Not all speculative fiction is equally speculative. While much engages with the unreal (vampires, superpowers, ghosts), or the possibly real (future technologies, alternative timelines), a very small sliver of speculative fiction will try to capture something…
Interview: Grant Faulkner
Grant Faulkner, who will serve as our guest judge for the CRAFT 2025 Flash Prose Prize, recently told me that he dislikes conventional bios and prefers to find something odd on the internet about writers he’s asked to introduce.…
Hybrid Interview: Peter Mountford
Essay by Shehrazade Zafar-Arif • What do short stories have in common with jazz? Like the innately improvisational quality of jazz, the nature of the short story genre—constrained by the need for a high amount of drama in a…
Hybrid Interview: Marisa Silver
Essay by Rose Smith • One of Marisa Silver’s goals as a fiction writer is to “change the angle of vision, both for the characters and the reader, just enough that some little aperture of awareness opens up to…