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Interview: Jaclyn Gilbert

November 29, 2018

CRAFT: In the Acknowledgments, you indicate that Late Air, your debut novel, grew out of a short story. Can you talk a little bit about that process? How did you know that this short story would be able to be…

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Free Indirect Speech

November 27, 2018

By Laura Nicoara • So she would still find herself arguing in St. James’s Park, still making out that she had been right—and she had too—not to marry him. For in marriage a little licence [sic], a little independence there…

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The Art of Time in David Gates’s “Banishment”

October 30, 2018

By Amber Wheeler Bacon • David Gates doesn’t recommend flashbacks to new writers when he’s teaching fiction. When line editing a student’s piece, he cuts pretty much every flashback he sees. I know because he cut plenty of mine when…

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Daisy Johnson’s Cauldron: Realism & Fairy Tale Logic in “Albatross”

October 26, 2018

By Amelia Brown • Daisy Johnson is quite obviously inspired by folklore in her debut collection of stories, Fen—her pages are home to sentient objects, immortal monsters, and animal transformations galore. In fact, Johnson’s stories pledge their allegiance to two narrative…

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Reaching Out: Endings of Joy Williams

October 15, 2018

By Elizabeth Mayer • Death and loss and decay pervade the stories of Joy Williams’s collection Escapes. If a character is not facing the immediacy of their own death, often they are mourning the loss of someone close to them. Yet…

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The Art of Description in A.S. Byatt’s “The Chinese Lobster”

October 11, 2018

By Chaya Bhuvaneswar • The display is brightly lit, and arranged on a carpet of that fierce emerald-green artificial grass used by greengrocers and undertakers. Round the edges on open shells, is a border of raw scallops, the pearly flesh dulling,…

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A Closer Look: WARNINGS FROM THE FUTURE

September 27, 2018

Warnings From the Future is a debut collection of ten short stories by Ethan Chatagnier, published by Acre Books. Chatagnier is clearly interested in playing with form in his work, and a number of these stories allow the form and…

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Interview: Katya Apekina

September 19, 2018

CRAFT: Your debut novel, The Deeper the Water the Uglier the Fish, is written in short sections, with the POV shifting frequently between two main characters, but also giving us glimpses into more ancillary characters through occasional narration, but also…

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Artifacts: On Revising Older Stories

September 17, 2018

By Laura Rock Gaughan Faced with the happy prospect of preparing Motherish, my short story collection and first book, for publication, I panicked. Not only did the task demand a decisiveness I lack, but I wanted to be moving on:…

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A Closer Look: “The Lovers,” by Nick White

September 13, 2018

Nick White’s story, “The Lovers,” is the opening story in his collection, Sweet & Low, published in June, 2018. Originally published in The Literary Review, this story masterfully uses a point-of-view that moves back and forth between the two main…

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