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CRAFT ESSAYS, ELEMENTS, and TALKS

Image is the book cover for "Detonator" by Peter Mountford. Title card for the new hybrid interview with Peter Mountford.

Hybrid Interview: Peter Mountford

September 26, 2025

  Essay by Shehrazade Zafar-Arif • What do short stories have in common with jazz? Like the innately improvisational quality of jazz, the nature of the short story genre—constrained by the need for a high amount of drama in a…

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Image is the book cover for "At Last" by Marisa Silver. Title card for the new hybrid interview with Marisa Silver.

Hybrid Interview: Marisa Silver

September 24, 2025

  Essay by Rose Smith • One of Marisa Silver’s goals as a fiction writer is to “change the angle of vision, both for the characters and the reader, just enough that some little aperture of awareness opens up to…

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Image is a color photograph of two hands forming a pot out of wet clay; title card for the creative nonfiction essay "The Risk of Forgetting Why" by Michael Collard.

The Risk of Forgetting Why

August 20, 2025

  By Sean Collard • There’s a risk in learning how to write well: the danger of forgetting why you started. I worry that someday I’ll become so polished, so precise, that I’ll lose the very thing that made my…

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Image is the book cover for "The Allure of Elsewhere: A Memoir of Going Solo" by Karen Babine. Title card for the new interview with Karen Babine.

Hybrid Interview: Karen Babine

July 30, 2025

  Essay by Abby Manzella • In Karen Babine’s latest memoir, The Allure of Elsewhere: A Memoir of Going Solo (Milkweed 2025), the author preps her Scamp camper and drives from her home in Minnesota to the Acadian coast of…

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Image is a color photograph of two wooden artists' figures, one reclining in the other's lap; title card for the craft essay "Are you Being Too Nice To Your Characters? Why Suffering Matters in Suspense" by Jennifer Craven.

Are You Being Too Nice to Your Characters? Why Suffering Matters in Suspense

July 23, 2025

  By Jen Craven • Here’s a truth many writers (myself included) sometimes resist: if your characters aren’t suffering, your story probably is. In the world of suspense fiction, suffering isn’t just dramatic flair—it’s fuel. It’s what cranks the tension,…

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Image is the book cover for WHISKEY TENDER by Deborah Jackson Taffa; title card for the new interview with Gabriel Mosely.

Hybrid Interview: Deborah Jackson Taffa

March 28, 2025

  Essay by Gabriel Moseley • I had the great pleasure of meeting Deborah Jackson Taffa at the Vermont Studio Center in October 2023, where she was the Visiting Writer. It was stick season—the dismal threshold between the time of…

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Image is a photograph of an old computer; title card for the new craft essay, "Show Don't Tell: What AI Can't Do," by Laura Hartenberger.

Show, Don’t Tell: What AI Can’t Do

March 26, 2025

  By Laura Hartenberger • Teaching writing at university sometimes makes me feel like an academic imposter. Compared to my students’ other college courses, with their weighty textbooks, weekly quizzes, and the expectation of all-nighters, my writing classes, I fear,…

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Image is the book cover for MY MOTHER IN HAVANA: A MEMOIR OF MAGIC & MIRACLE by Rebe Huntman; title card for the new hybrid interview with Shara Kronmal.

Hybrid Interview: Rebe Huntman

February 28, 2025

  Essay by Shara Kronmal • My Mother in Havana by Rebe Huntman is a memoir about journeys and the lessons learned along the way. In the memoir, the journeys are threefold in nature: physical, a literal journey from Ohio…

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Image is a color photo of street art of a robot with a heart; title card for the new craft essay, “Stepping Out of My Storytelling Box,” by Tim Bascom.

Stepping Out of My Storytelling Box

February 26, 2025

  By Tim Bascom • When I was twelve, I wrote my first short story, which was about a boy who, while hiking alone, falls off a mountain cliff and lands on a narrow outcrop, unable to get down or…

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Image is the book cover for TAROT FOR CREATIVITY: A GUIDE TO IGNITING YOUR CREATIVE PROCESS by Chelsey Pippin Mizzi; title card for the new hybrid interview with Hillary Adams.

Hybrid Interview: Chelsey Pippin Mizzi

January 29, 2025

  When I began reading Chelsey Pippin Mizzi’s second book, Tarot for Creativity: A Guide for Igniting Your Creative Practice (Chronicle Books, October 2024), I wondered if she’d been in the divination panel at AWP in Seattle, which was so…

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