CRAFT
Interview: David Haynes
A year ago, we asked each other: what is direct address, really? We knew the craft definition, of course: a technique in which a narrator overtly addresses a secondary group or figure (such as a reader or another character).…
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Conversations Between Friends: Tom McAllister and Aaron Burch
Tom McAllister’s It All Felt Impossible is exactly what its subtitle promises: “42 Years in 42 Essays.” Of course, what makes it literary; what makes it a hypnotic, engaging, magical read; what makes it one of my favorite books…
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Interview: Tamara Dean
I’m not sure I’ve ever come across any other region named as evocatively as the Driftless region of Wisconsin. Driftless: the word itself refers to the area’s lack of glacial deposits (or “drift”), as the land was passed by…
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The Risk of Forgetting Why
By Sean Collard • There’s a risk in learning how to write well: the danger of forgetting why you started. I worry that someday I’ll become so polished, so precise, that I’ll lose the very thing that made my…
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Interview: Ashley Whitaker
In Ashley Whitaker’s hilarious, satirical, and at times devastating debut novel, Bitter Texas Honey, we follow Joan, a recent college graduate with an Adderall problem who wants nothing more than to be a writer. Her biggest obstacle? She’s plagued…
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Hybrid Interview: Karen Babine
Essay by Abby Manzella • In Karen Babine’s latest memoir, The Allure of Elsewhere: A Memoir of Going Solo (Milkweed 2025), the author preps her Scamp camper and drives from her home in Minnesota to the Acadian coast of…
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Interview: Shayne Terry
On an early spring day in Flatbush, I sat down with my friend and neighbor, Shayne Terry. Our five-year-olds went out with their fathers while we talked about Terry’s debut book, Leave: A Postpartum Account, which came out this…
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Are You Being Too Nice to Your Characters? Why Suffering Matters in Suspense
By Jen Craven • Here’s a truth many writers (myself included) sometimes resist: if your characters aren’t suffering, your story probably is. In the world of suspense fiction, suffering isn’t just dramatic flair—it’s fuel. It’s what cranks the tension,…
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Interview: Jesse Lee Kercheval
Poet, translator, memoirist, fiction writer, and visual artist Jesse Lee Kercheval’s recently released graphic memoir French Girl portrays seventeen episodes from throughout Kercheval’s life, rendered in vibrant color by Kercheval herself. It showcases the powerful immediacy of Kercheval’s twenty…
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Conversations Between Friends: Sienna Liu and Kit Lea Cheang
“In books you don’t usually get to know what the protagonists eat for each meal,” Sienna Liu’s narrator in Food Porn observes. “And because everything happens off-stage, whether those have been hot hearty meals or flimsy flippant meals is…
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