CRAFT
Obsessions
Obsessions lie at the heart of most of the things we do well. And figuring out what your obsessions are in writing may well be the key to figuring out that next short story or novel. Poet Natalie Diaz talks…
Author’s Notes
A note from the author accompanies each of the stories we publish. We ask the author to write something—anything—about the craft in their story. We love these Author’s Notes, as they shed an important light on each story. Every time…
LIGHT THE DARK, edited by Joe Fassler
Light the Dark, edited by Joe Fassler Penguin Books, 2017 A collection of craft essays from a series in The Atlantic, this is a book to treasure, one to read again and again. The online series, called “By Heart,” is curated…
Opening Lines
The start to a story is so important. It’s what draws the reader in, it’s what sets the stage for everything to come. When we read stories (and especially when we read submissions!), an arresting first line can capture our…
Character Research
When it comes to doing research for a novel or story, the resources are endless. We typically turn first to non-fiction sources, writers documenting the history of the time. Often, though, these accounts are written after-the-fact as the historian makes…
Favorite First Sentence: WAYS TO DISAPPEAR
“In a crumbling park in the crumbling back end of Copacabana, a woman stopped under an almond tree with a suitcase and a cigar.” Ways to Disappear, Idra Novey’s debut novel, is about a South American writer who has disappeared,…
Switching Tenses
Most writers, it seems, prefer one tense over another. Many of us use the past tense as our default, as it allows for foreshadowing, and, conversely, it allows reflection from the present “telling” moment. We’re telling a story of which…
Map Research
I will confess: I like maps. I like understanding where I’ve been, where I am, and where I’m going. And I love Google and/or Apple Maps. The satellite view, the street view, directions, walking distance, the whole thing. I can…
Collective Voice: WE THE ANIMALS
We the Animals, by Justin Torres, is a wonderful example of the use of the collective voice in fiction. There are, of course, many other classic works that use this voice, including the novels The Virgin Suicides by Jeffrey Eugenides…
Story and Plot: Finding Meaning
In studying the craft of fiction, story and plot seem like simple enough concepts: story is the chronological sequence of events while plot is those same events, reordered by the author. In an attempt to consider how to construct meaning…