CRAFT ESSAYS, ELEMENTS, and TALKS
A Closer Look: MEANDER, SPIRAL, EXPLODE
I hope…that thinking about patterns other than the arc will become natural, that evolving writers won’t feel oppressed by the arc, that they’ll imagine visual aspects of narrative as well as temporal, that they’ll discover ways to design, being…
Myth Made New: Madeline Miller’s CIRCE
By Tim Weed • Like her debut, The Song of Achilles, Madeline Miller’s Circe offers readers a fresh and defamiliarized retelling of classical Greek mythology. It’s a retelling informed by the author’s thorough knowledge of the subject and energized…
Joke-Telling in Lorrie Moore’s “You’re Ugly, Too”
By Kate Kaplan • People tell jokes to attract attention or deflect it, to express a point of view, to connect, to offend, or in the hope of shared laughter. Some people (disclosure: me) tell jokes to themselves, rehearsing…
Theatre Novel: Joseph Scapellato’s THE MADE-UP MAN
By Mike Corrao • Joseph Scapellato’s The Made-Up Man, released in February by FSG, centers on the protagonist, Stanley’s participation in an exploitative performance piece coordinated by his wealthy Czech-based uncle. Invited to apartment-sit in Prague, Stanley bears witness…
The Ears and Noses of Beholders in THE PRICE OF SALT
By Candace Walsh • As thousands of tweets and several articles attest, women have grown weary of the way many male writers describe female characters: zooming in on their body parts with a Porky’s-gaze, to the exclusion of describing…
The Queer Gaze and the Ineffable in THE PRICE OF SALT
By Candace Walsh • I almost didn’t read Patricia Highsmith’s The Price of Salt, one of the most influential, relevant, and exquisite novels I’ve ever encountered. Why? I felt like it would be dated. I thought that I should…
It Happened Here: Setting in Natashia Deón’s GRACE
By Melissa Benton Barker • Natashia Deón’s novel, Grace, is a both a warcry against and a lament upon the violence inflicted on the Black female body under the conditions of slavery in the United States. The novel is narrated…
Free Indirect Speech
By Laura Nicoara • So she would still find herself arguing in St. James’s Park, still making out that she had been right—and she had too—not to marry him. For in marriage a little licence [sic], a little independence there…
The Art of Time in David Gates’s “Banishment”
By Amber Wheeler Bacon • David Gates doesn’t recommend flashbacks to new writers when he’s teaching fiction. When line editing a student’s piece, he cuts pretty much every flashback he sees. I know because he cut plenty of mine when…