CRAFT ESSAYS, ELEMENTS, and TALKS
Collective Voice: WE THE ANIMALS
We the Animals, by Justin Torres, is a wonderful example of the use of the collective voice in fiction. There are, of course, many other classic works that use this voice, including the novels The Virgin Suicides by Jeffrey Eugenides…
Story and Plot: Finding Meaning
In studying the craft of fiction, story and plot seem like simple enough concepts: story is the chronological sequence of events while plot is those same events, reordered by the author. In an attempt to consider how to construct meaning…
Linked Story Collections: SWALLOWED BY THE COLD
Linked story collections often seem like that halfway point between a collection of unconnected stories and a novel. Done well, a linked collection can add up to something more than its parts, a reading experience that expands beyond the limits…
10 Writing Tips for the Holidays
Or, How Good Writing is Just Like Good Conversation By Natalie Serber Much to my delight, The New York Times Magazine recently published a feature on “The Art of the Dinner Party.” Along with recipes (try this one for my…
Mixtapes
I have heard more than one writer say that they have created mixtapes while they were working on a story or novel and listening to that music, and that music alone, while they were writing was hugely helpful. If you’re…
First Person Direct Address
Most of the time, our narrators are speaking directly to our readers. We may not do so as directly as Charlotte Bronte (“Reader, I married him.”) but it is implied, no matter the voice that we’re using. Second person can…
On Ending Polyphonic Novels
On Ending Polyphonic Novels by Rachel King I write multivoiced fiction, a technique also known as writing polyphonically, from the musical technique polyphony, where two or more melodies are played at once. However, in writing, unlike in music, different voices…
Crafting Suspense
On Crafting Suspense: Keep the Bodies Hidden By Dustin Heron Suspense is an important element of fiction—and not just for stories where things go bump in the night. Suspense is “the feeling of excited or anxious uncertainty about what might…
Object Lesson
So often in crafting fiction we think about character, plot, and setting. But thinking about specific objects and placing those objects in our fiction can be a great way in to a character and even a plot point. An object…
Surprise!
It’s such a simple idea, really—as good ideas usually are—that surprise is a key element in our work as writers. But somehow, I hadn’t grabbed onto that idea until I took a workshop with Bret Anthony Johnston who believes wholeheartedly…