Here’s a look at the June releases CRAFT can’t wait to read. Happy pub day to one and all!
Kristen Arnett, Mostly Dead Things
“If Heather Lewis and Joy Williams had a child it might be this―I don’t think I’ve ever read a novel like it. There’s a gunslinger cool to every sentence, like someone is telling you the last story they’ll ever tell you. Kristen Arnett is the queen of the Florida no one has ever told you about, and on every page she brings it to a steely and vivid life.” —Alexander Chee
One morning, Jessa-Lynn Morton walks into the family taxidermy shop to find that her father has committed suicide, right there on one of the metal tables. Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife―and the only person Jessa’s ever been in love with―walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates―picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose―and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them.
Kristen Arnett’s debut novel is a darkly funny, heart-wrenching, and eccentric look at loss and love. (From Tin House June 4)
Mona Awad, Bunny
“Hilarious and subversive, magical and knife-sharp. This novel—a send-up of academia, an astute exploration of class in creative circles, and an ode to the uncanny power of art—confirms Mona Awad as one of our great chroniclers of what it means to be alive right now. Bunny is a stunner.” —Laura van den Berg
Samantha Heather Mackey couldn’t be more of an outsider in her small, highly selective MFA program at New England’s Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort—a clique of unbearably twee rich girls who call each other “Bunny,” and are often found entangled in a group hug so tight they become one.
But everything changes when Samantha receives an invitation to the Bunnies’ fabled “Smut Salon,” and finds herself inexplicably drawn to their front door—ditching her only friend, Ava, a caustic art school dropout, in the process. As Samantha plunges deeper and deeper into the sinister yet saccharine world of the Bunny cult and starts to take part in their ritualistic off-campus “Workshop” where they magically conjure their monstrous creations, the edges of reality begin to blur, and her friendships with Ava and the Bunnies are brought into deadly collision.
A spellbinding, down-the-rabbit-hole tale of loneliness and belonging, creativity and agency, and friendship and desire, Bunny is the dazzlingly original second book from an author whose work has been described as “honest, searing and necessary” (Elle). (From Viking June 11)
Chanelle Benz, The Gone Dead
“Chanelle Benz has the power and grace to make the quiet stunning and the explosive beautiful. The Gone Dead is a wonderous exploration of pain and confrontation of its sources.” —Nana Kwame Adjei-Brenyah
Billie James’ inheritance isn’t much: a little money and a shack in the Mississippi Delta. The house once belonged to her father, a renowned Black poet who died unexpectedly when Billie was four years old. Though Billie was there when the accident happened, she has no memory of that day—and she hasn’t been back to the South since.
Thirty years later, Billie returns but her father’s home is unnervingly secluded: her only neighbors are the McGees, the family whose history has been entangled with hers since the days of slavery. As Billie encounters the locals, she hears a strange rumor: that she herself went missing on the day her father died. As the mystery intensifies, she finds out that this forgotten piece of her past could put her in danger.
Inventive, gritty, and openhearted, The Gone Dead is an astonishing debut novel about race, justice, and memory that lays bare the long-concealed wounds of a family and a country. (From Ecco June 25)
Jean-Philippe Blondel, Exposed (translated by Alison Anderson)
“A novel of tender, shy wisdom whose characters remind each other that memory lives in the body, loosened like knots by the right touch. Exposed reconciles old age to its theme of regret. It is, however, Blondel’s true talent that we embrace that regret—not only as an opportunity for joy, but as a polestar to guide us places we’d never have gone without it.” —Patrick Nathan
A French teacher on the verge of retirement is invited to a glittering opening that showcases the artwork of his former student, who has since become a celebrated painter. This unexpected encounter leads to the older man posing for his portrait. Possibly in the nude. Such personal exposure at close range entails a strange and troubling pact between artist and sitter that prompts both to reevaluate their lives. Blondel, author of the hugely popular novel The 6:41 to Paris, evokes an intimacy of dangerous intensity in a tale marked by profound nostalgia and a reckoning with the past that allows its two characters to move ahead into the future. (From New Vessel Press June 4)
Christopher Boucher, Big Giant Floating Head
“Chris Boucher’s Big Giant Floating Head plays by an improbable logic all its own, and is heartbreaking and hilarious in the manner of Brautigan and Flann O’Brien, or a Krazy Kat comic redrawn by M.C. Escher.” —Jonathan Lethem
Big Giant Floating Head tells the story of a character named Christopher Boucher who is navigating the end of a marriage and the mysteries of the fictional town of Coolidge, Massachusetts. Oscillating back and forth in time, the novel contains strange surprises at every turn: Christopher briefly dates a woman with an invisible dog, contracts a strange illness that divides him in half, participates in a failure competition, and joins a community called The Unloveables. In the face of these trials and others, Christopher struggles to regain his bearings, make sense of a new reality, and chart a course forward. (From Melville House Press June 18)
Nicole Dennis-Benn, Patsy
“A novel that splits at the seams with yearning, elegantly written and deeply felt. Dennis-Benn leads the reader through Patsy’s life with empathy and grace.” —Esme Weijun Wang
When Patsy gets her long-coveted visa to America, it comes after years of yearning to leave Pennyfield, the beautiful but impoverished Jamaican town where she was raised. More than anything, Patsy wishes to be reunited with her oldest friend, Cicely, whose letters arrive from New York steeped in the promise of a happier life and the possible rekindling of their young love. But Patsy’s plans don’t include her overzealous, evangelical mother—or even her five-year-old daughter, Tru.
Beating with the pulse of a long-witheld confession, Patsy gives voice to a woman who looks to America for the opportunity to choose herself first—not to give a better life to her family back home. Patsy leaves Tru behind in a defiant act of self-preservation, hoping for a new start where she can be, and love, whomever she wants. But when Patsy arrives in Brooklyn, America is not as Cicely’s treasured letters described; to survive as an undocumented immigrant, she is forced to work as a bathroom attendant and nanny. Meanwhile, Tru builds a faltering relationship with her father back in Jamaica, grappling with her own questions of identity and sexuality, and trying desperately to empathize with her mother’s decision.
Expertly evoking the jittery streets of New York and the languid rhythms of Jamaica, Patsy weaves between the lives of Patsy and Tru in vignettes spanning more than a decade as mother and daughter ultimately find a way back to one another.
As with her masterful debut, Here Comes the Sun, Nicole Dennis-Benn once again charts the geography of a hidden world—that of a paradise lost, swirling with the echoes of lilting patois, in which one woman fights to discover her sense of self in a world that tries to define her. Passionate, moving, and fiercely urgent, Patsy is a prismatic depiction of immigration and womanhood, and the lasting threads of love stretching across years and oceans. (From Liveright June 4)
Brian Evenson, Song for the Unraveling of the World: Stories
“Brian Evenson is one of my favorite living horror writers, and this collection is him at his eerie and disquieting best.” —Carmen Maria Machado
A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient’s room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not. (From Coffee House Press June 11)
Uzma Jalaluddin, Ayesha at Last
“Uzma Jalaluddin blazes a brilliant new trail with Ayesha At Last, a captivating romance set in the Muslim community, brimming with humour and heart. You will fall in love with Ayesha and Khalid—an Elizabeth and Darcy for our times.” —Ausma Zehanat Khan
A modern-day Muslim Pride and Prejudice for a new generation of love.
Ayesha Shamsi has a lot going on. Her dreams of being a poet have been set aside for a teaching job so she can pay off her debts to her wealthy uncle. She lives with her boisterous Muslim family and is always being reminded that her flighty younger cousin, Hafsa, is close to rejecting her one hundredth marriage proposal. Though Ayesha is lonely, she doesn’t want an arranged marriage. Then she meets Khalid, who is just as smart and handsome as he is conservative and judgmental. She is irritatingly attracted to someone who looks down on her choices and who dresses like he belongs in the seventh century.
When a surprise engagement is announced between Khalid and Hafsa, Ayesha is torn between how she feels about the straightforward Khalid and the unsettling new gossip she hears about his family. Looking into the rumors, she finds she has to deal with not only what she discovers about Khalid, but also the truth she realizes about herself. (From Berkley June 4)
Alix Ohlin, Dual Citizens
“For long-time admirers of Alix Ohlin’s fiction, the psychological complexity and keen observations in this novel will come as no surprise. In Dual Citizens, Ohlin examines the conflicting desires of two sisters from Montreal with a riveting precision reminiscent of fellow Montreal native Mavis Gallant. However, unlike Gallant’s Montreal girls, Ohlin’s are not of a generation ‘trained to be patient’ but to follow their ambitions. A lifelong witness to one’s shifting longings, this wise and luminous novel shows, is a sibling.” —Idra Novey
Lark and Robin are half-sisters whose similarities end at being named for birds. While Lark is shy and studious, Robin is wild and artistic. Raised in Montreal by their disinterested single mother, they form a fierce team in childhood regardless of their differences. As they grow up, Lark excels at school and Robin becomes an extraordinary pianist. At seventeen, Lark flees to America to attend college, where she finds her calling in documentary films, and her sister soon joins her.
Later, in New York City, they find themselves tested: Lark struggles with self-doubt, and Robin chafes against the demands of Juilliard. Under pressure, their bond grows strained and ultimately is broken, and their paths abruptly diverge. Years later, Lark’s life is in tatters and Robin’s is wilder than ever. As Lark tries to take charge of her destiny, she discovers that despite the difficulties of their relationship, there is only one person she can truly rely on: her sister.
In this gripping, unforgettable novel about art, ambition, sisterhood, motherhood, and self-knowledge, Alix Ohlin traces the rich and complicated lives of two indelible women. Dazzlingly insightful and beautifully crafted, Dual Citizens captures the unique language of sisters and makes visible the imperceptible strings that bind us to the ones we love for good. (From Knopf June 4)
Regina Porter, The Travelers
“The Travelers is a thrillingly ambitious, deeply affecting event. Regina Porter has a great ear and a capacious heart. Her dialogue presses us to the very souls of her many fabulous and fascinating characters, and her understanding of human emotion makes one want to linger at every step of this grand journey. There is so much offered here—race, history, love, loss, and family, just to name a few—that this debut novel should be considered nothing less than a supreme act of generosity.” —Jamel Brinkley
Meet James Samuel Vincent, an affluent Manhattan attorney who shirks his modest Irish American background but hews to his father’s meandering ways. James muddles through a topsy-turvy relationship with his son, Rufus, which is further complicated when Rufus marries Claudia Christie.
Claudia’s mother—Agnes Miller Christie—is a beautiful African American woman who survives a chance encounter on a Georgia road that propels her into a new life in the Bronx. Soon after, her husband, Eddie Christie, is called to duty on an air craft carrier in Vietnam, where Tom Stoppard’s play Rosencrantz and Guildenstern Are Dead becomes Eddie’s life anchor, as he grapples with mounting racial tensions on the ship and counts the days until he will see Agnes again.
These unforgettable characters’ lives intersect with a cast of lovers and friends—the unapologetic black lesbian who finds her groove in 1970s Berlin; a moving man stranded in Portsmouth, New Hampshire, during a Thanksgiving storm; two half-brothers who meet as adults in a crayon factory; and a Coney Island waitress whose Prince Charming is too good to be true.
With piercing humor, exacting dialogue, and a beautiful sense of place, Regina Porter’s debut is both an intimate family portrait and a sweeping exploration of what it means to be American today. (From Hogarth June 18)
Kathryn Scanlan, Aug 9—Fog
“Scanlan’s outstanding debut inventively adapts a real woman’s diary . . . [Aug 9-Fog] is a fascinating chronicle of Scanlan’s obsession, but, more than that, it transforms a seemingly ordinary life into a profound and moving depiction of how humans can love and live. Scanlan’s portrait of an everywoman feels entirely new.” —Publishers Weekly (starred review)
Fifteen years ago, Kathryn Scanlan found a stranger’s five-year diary at an estate auction in a small town in Illinois. The owner of the diary was eighty-six years old when she began recording the details of her life in the small book, a gift from her daughter and son-in-law. The diary was falling apart—water-stained and illegible in places—but magnetic to Scanlan nonetheless.
After reading and rereading the diary, studying and dissecting it, for the next fifteen years she played with the sentences that caught her attention, cutting, editing, arranging, and rearranging them into the composition that became Aug 9—Fog (she chose the title from a note that was tucked into the diary). “Sure grand out,” the diarist writes. “That puzzle a humdinger,” she says, followed by, “A letter from Lloyd saying John died the 16th.” An entire state of mourning reveals itself in “2 canned hams.” The result of Scanlan’s collaging is an utterly compelling, deeply moving meditation on life and death.
In Aug 9—Fog, Scanlan’s spare, minimalist approach has a maximal emotional effect, remaining with the reader long after the book ends. It is an unclassifiable work from a visionary young writer and artist—a singular portrait of a life revealed by revision and restraint. (From MCDxFSG June 4)
Ocean Vuong, On Earth We’re Briefly Gorgeous
“This is one of the best novels I’ve ever read. I always want my favorite poets to write novels and here it’s happened. Ocean Vuong is a master. This book a masterpiece. On Earth We’re Briefly Gorgeous is an ode to loss and struggle, to being a Vietnamese American, to Hartford, Connecticut, and it’s a compassionate epistolary ode to a mother who may or may not know how to read. I dog-eared so many pages the book almost collapsed—I almost did.” —Tommy Orange
On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born—a history whose epicenter is rooted in Vietnam—and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.
With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years. (From Penguin June 4)
Elvia Wilk, Oval
“A fascinating near-future exploration of relationships, sustainability, and power. An extraordinarily accomplished debut novel.” —Jeff VanderMeer
In the near future, Berlin’s real estate is being flipped in the name of “sustainability,” only to make the city even more unaffordable; artists are employed by corporations as consultants, and the weather is acting strange. When Anja and Louis are offered a rent-free home on an artificial mountain—yet another eco-friendly initiative run by a corporation—they seize the opportunity, but it isn’t long before the experimental house begins malfunctioning.
After Louis’s mother dies, Anja is convinced he has changed. At work, Louis has become obsessed with a secret project: a pill called Oval that temporarily rewires the user’s brain to be more generous. While Anja is horrified, Louis believes he has found the solution to Berlin’s income inequality. Oval is a fascinating portrait of the unbalanced relationships that shape our world, as well as a prescient warning of what the future may hold. (From Soft Skull Press June 4)
De’Shawn Charles Winslow, In West Mills
“De’Shawn Charles Winslow is in possession of a voice, one that’s not only pitch-perfect but also arresting and important and new. It’s a voice that’s by turns funny and heartbreaking and beautiful, much like the characters of In West Mills themselves. This novel will grab you first by the ears, and then by the hand, and then by the heart.” —Rebecca Makkai
Azalea “Knot” Centre is determined to live life as she pleases. Let the people of West Mills say what they will; the neighbors’ gossip won’t keep Knot from what she loves best: cheap moonshine, nineteenth-century literature, and the company of men. And yet, Knot is starting to learn that her freedom comes at a high price. Alone in her one-room shack, ostracized from her relatives and cut off from her hometown, Knot turns to her neighbor, Otis Lee Loving, in search of some semblance of family and home.
Otis Lee is eager to help. A lifelong fixer, Otis Lee is determined to steer his friends and family away from decisions that will cause them heartache and ridicule. After his failed attempt as a teenager to help his older sister, Otis Lee discovers a possible path to redemption in the chaos Knot brings to his doorstep. But while he’s busy trying to fix Knot’s life, Otis Lee finds himself powerless to repair the many troubles within his own family, as the long-buried secrets of his troubled past begin to come to light.
Set in an African American community in rural North Carolina from 1941 to 1987, In West Mills is a magnificent, big-hearted small-town story about family, friendship, storytelling, and the redemptive power of love. (From Bloomsbury June 4)
Jake Wolff, The History of Living Forever
“The History of Living Forever is a mystery wrapped in a love story wrapped in a thrilling scientific adventure. Two star-crossed heroes travel the globe and dive into history, seeking the elixir of life. While they gather ingredients they also collect pieces of a larger puzzle, uncovering secrets and betrayals that lead to a deeper understanding of family, connection, and the inner spirit that fuels us all. Jake Wolff is an extraordinary alchemist, and his story’s formula will linger with readers long after they turn the final page.” —Hannah Tinti
Conrad Aybinder is a boy with a secret; sixteen and ready for anything. A chemistry genius, he has spent the summer on an independent-study project with his favorite teacher, Sammy Tampari. Sammy is also Conrad’s first love. But the first day of senior year, the students are informed that Mr. Tampari is dead. Rumors suggest an overdose. How can it be? Drugs are for unhappy people, Conrad is sure, not for people who have fallen in love.
Soon, though, it is clear that Sammy had a life hidden even from Conrad, evidenced by the journals he left for Conrad to discover after his death. The journals detail twenty years of research aimed at creating recipes for something called the Elixir of Life. Sammy has left Conrad a mystery and a scientific puzzle, but also, it seems, the chance to cure his father’s terminal illness. Conrad must race against time and other interested parties to uncover the missing piece of the recipe. What will he do to discover the formula?
Spanning centuries of scientific and alchemical inquiry, ranging from New York to Romania to Easter Island, featuring drug kingpins, Big Pharma flunkies, centenarians, and a group of ambitious coin collectors, Jake Wolff’s The History of Living Forever is equal parts thrilling adventure and meditation on mortality, thoughtful investigation of mental illness, and a reminder to be on the lookout for magic in science and life. (From FSG June 11)