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ANNOTATIONS, REVIEWS, and CRAFT BOOKS

For Better or Worse: On the Failure of the Stand-Alone Excerpt

October 20, 2020

  By Maria Cichosz • The first time I tried to turn part of my novel into a publishable excerpt, I immediately knew it was hopeless. I had just finished working on one novel and was deep into another, having…

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Looking at LOVE: Toni Morrison’s Construction of Desire and Obstacle

September 22, 2020

  By Emilee Prado • Toni Morrison’s novel Love grapples with the vast, mutable, apparitional human experience that we compress into that four-letter word taken as the title. For those who have fallen in and out of romantic love, for…

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Hybrid Interview: Megan Cummins

September 15, 2020

  Framing the Stories: If the Body Allows It by Megan Cummins Essay by Laura Spence-Ash • The architecture of If the Body Allows It, Megan Cummins’s stunning debut story collection, is unique: there are two sets of stories within…

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Master of the Touching Detail: Emmanuel Bove, the Ultimate Writer’s Writer

September 8, 2020

  By Peter Selgin • Beckett said of him, “More than anyone else he has the instinct for the touching detail.” Anyone who has read the works of Emmanuel Bove (1898–1945) would agree. This is especially the case with Bove’s…

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Thick with Noir: Tom Lutz’s BORN SLIPPY

August 11, 2020

  By Sean Hooks • “A drunk sees the world in fragments and I wanted to recreate that,” says Karl Hyde of pioneering British electronica outfit Underworld. “The first time we played it live, people raised their lager cans and…

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An Analysis of the Narrative Voice in Yoko Ogawa’s THE DIVING POOL

July 28, 2020

  By Geoffrey Miller • A different woman character narrates each of the trio of novellas in Yoko Ogawa’s collection The Diving Pool. In the opening, titular piece there’s Aya, a school-aged girl living at a countryside orphanage run by…

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This or That: Simultaneity in John O’Hara’s BUTTERFIELD 8

July 7, 2020

  By Ian Randall Wilson • When I wrote in third person, it was in third-person close. The concerns of simultaneity didn’t occupy much of my attention. There may be a flaw in my thinking here, but my reasoning was…

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Hybrid Interview: Gayle Brandeis

June 16, 2020

  “We want you to know how we lived. That we lived. That we were girls before we were game. That we were alive.”   Essay by Melissa Benton Barker • Gayle Brandeis’s recent novel-in-verse, Many Restless Concerns (a testimony):…

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An Extremely Disorganized Life: Osamu Dazai’s NO LONGER HUMAN

May 12, 2020

  By Peter Selgin • The older I get, the less interested I am as both reader and writer in things are that—or that feel—“made up.” Put in positive terms, the more attracted I am to stories and novels that…

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Hybrid Interview: Amber Sparks

April 28, 2020

  Essay by J. A. Tyler • Sure, 2019 gave us Greta Gerwig’s powerful Little Women and the heroine Rey dominating galactic folks in the final chapter of the Star Wars saga, but we’ve yet to see pay equalized between…

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