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ANNOTATIONS, REVIEWS, and CRAFT BOOKS

Conversations Between Friends: Nancy Au and Olga Zilberbourg

March 30, 2021

  At the beginning of October, 2019, Nancy Au and Olga Zilberbourg celebrated the publication of their books Spider Love Song and Other Stories and Like Water and Other Stories. The E.M. Wolfman General Interest Small Bookstore of Oakland, CA,…

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Interview: Jo Ann Beard

March 16, 2021

  Jo Ann Beard’s third book, Festival Days, is a truehearted work of art. Nine pieces lean into life’s difficult decisions and the daunting beauty within moments of uncertainty. Her writing masters precision in language, emotional urgency, and grief’s complexities.…

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Interview: Lara Ehrlich

February 23, 2021

  The woman on the cover of Lara Ehrlich’s debut short story collection appears to be almost airlifted from the 1950s—she could be an actor from The Donna Reed Show or perhaps a model for LOOK magazine, all aproned and…

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Nonfiction Explosions: THE BEST OF BREVITY

February 16, 2021

  By Jacqueline Doyle • Flash fiction has gradually come to be recognized as an important literary form, though there are still writers who dismiss flash as a passing fad, less important than the short story. Often, they are the…

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Interview: Joyce Hinnefeld

February 9, 2021

  Stories that Slip Sideways: An Interview with Joyce Hinnefeld by Ron MacLean Joyce Hinnefeld and Ron MacLean met as fellow doctoral students in the English Department at SUNY Albany in the early 1990s. They’ve stayed in touch since then,…

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Blood and Agency in Raven Leilani’s LUSTER

January 26, 2021

  By Candace Walsh • Raven Leilani’s Luster is a craft and theme kaleidoscope, every turned page yielding a new configuration of angles and juxtapositions. What happens in this novel—twenty-three year old Edie, a Black woman artist manquée working slackly…

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Hybrid Interview: Matthew Salesses

January 19, 2021

  Essay by Candace Eros Diaz • The first sentence of Matthew Salesses’s Craft in the Real World reads, “[T]his book is a challenge to accepted models of craft and workshop, to everything from a character-driven plot to the ‘cone…

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More than Mere Oblivion: Alexander Trocchi’s CAIN’S BOOK

January 12, 2021

  By Peter Selgin • Like rock stars, some novelists are eaten alive by their ardent fans. Embraced by severely circumscribed subcultures, their best performances are transformed from works of art into manifestoes, and cease to be read by ordinary…

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Lessons from Julia Otsuka’s WHEN THE EMPEROR WAS DIVINE

December 8, 2020

  By Kim Lozano • I’m a slow reader. I sometimes pluck a book from the shelf based not on whether its subject matter appeals to me, but whether or not it’s skinny or fat. So when I recently read…

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Hybrid Interview: Tara Isabel Zambrano

November 17, 2020

  Essay by Kristin Tenor • Virginia Woolf writes in her novel Orlando: A Biography: “Nothing thicker than a knife blade separates happiness from melancholy.” Perhaps the same might be said by the characters inhabiting Tara Isabel Zambrano’s debut short…

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