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ANNOTATIONS, REVIEWS, and CRAFT BOOKS

An Analysis of the Narrative Voice in Yoko Ogawa’s THE DIVING POOL

July 28, 2020

  By Geoffrey Miller • A different woman character narrates each of the trio of novellas in Yoko Ogawa’s collection The Diving Pool. In the opening, titular piece there’s Aya, a school-aged girl living at a countryside orphanage run by…

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This or That: Simultaneity in John O’Hara’s BUTTERFIELD 8

July 7, 2020

  By Ian Randall Wilson • When I wrote in third person, it was in third-person close. The concerns of simultaneity didn’t occupy much of my attention. There may be a flaw in my thinking here, but my reasoning was…

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Hybrid Interview: Gayle Brandeis

June 16, 2020

  “We want you to know how we lived. That we lived. That we were girls before we were game. That we were alive.”   Essay by Melissa Benton Barker • Gayle Brandeis’s recent novel-in-verse, Many Restless Concerns (a testimony):…

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An Extremely Disorganized Life: Osamu Dazai’s NO LONGER HUMAN

May 12, 2020

  By Peter Selgin • The older I get, the less interested I am as both reader and writer in things are that—or that feel—“made up.” Put in positive terms, the more attracted I am to stories and novels that…

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Hybrid Interview: Amber Sparks

April 28, 2020

  Essay by J. A. Tyler • Sure, 2019 gave us Greta Gerwig’s powerful Little Women and the heroine Rey dominating galactic folks in the final chapter of the Star Wars saga, but we’ve yet to see pay equalized between…

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Women of Conscience: On Alice Mattison

April 21, 2020

  By Leena Soman Navani • Alice Mattison has published a poetry collection, seven novels, four short story collections, and a book about writing fiction. She began her writing career more than five decades ago. Professionally, perhaps the only thing…

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Art of the Opening: Melissa Ragsly

April 7, 2020

  In a 2015 review in The Los Angeles Times, the late Pulitzer Prize–winning restaurant critic Jonathan Gold describes an amuse-bouche at Le Comptoir in Koreatown as “a course that takes a cook 10 minutes to plate and that you…

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Hybrid Interview: Madeline ffitch

March 24, 2020

  By Candace Walsh • “We live in a world that has unconstrained wildness, and we like to forget we are part of that wildness,” says Madeline ffitch, author of PEN/Hemingway Award–finalist Stay and Fight. Fiction that only acknowledges characters’…

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Nonstop Oracle: Everlastingness in Rachel Cusk’s OUTLINE

March 17, 2020

  By Mark Gozonsky • 1 My favorite books explore the contours of the narrator’s brain, and I’ve never read anything that does this so well as Rachel Cusk’s Outline. I first encountered the striking cover image on the windowsill…

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Interview: Sarah Rose Etter

March 10, 2020

  In her debut novel, The Book of X (Two Dollar Radio, July 2019), Sarah Rose Etter explores fear and femininity through the character of Cassie, a girl who was born with her stomach twisted in the shape of a…

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