On Crafting the Memoir in Pieces
By Beth Kephart • The writer of the memoir in pieces is an assembly artist—a hunter, a gatherer, an arranger, a culler, a keeper. They are not at work on a collection of essays loosely bound by voice, style,…
Author: Guest Author
Hybrid Interview: Tommi Parrish
Essay by Erin Vachon • The opening panel of Tommi Parrish’s brilliant graphic novel Men I Trust—out now from Fantagraphics—centers a clothesline, laundry drying in spare daylight. Parrish populates the world with bodies soon enough. Eliza is a single…
Inherited Language
By Nick Almeida • If you had grown up in my house, “You’re dollaring me to death” would forever echo in your head. The phrase is one of my mother’s favorites, inextricably linked to any requests for small amounts…
Hybrid Interview: Priyanka Kumar
Essay by A. D. Carr • “Sometimes it just takes the right bird to awaken us.” —Priyanka Kumar I didn’t start to have an interest in birds until my midthirties. No doubt this shift coincides with the transition from…
Belt Buckles and Sad Songs: Manifesting the Past in Annie Proulx’s “Brokeback Mountain”
By Daniel Abiva Hunt • When I first began writing seriously, I was obsessed with character histories. Nothing would make my character feel more real and fully formed than a detail-oriented past, I felt, and I would turn over…
Interview: Sarah Blake
In Sarah Blake’s sophomore novel, Clean Air, the cause of the climate apocalypse comes as a surprise. It’s not rising oceans or wildfires or air pollution. The trees release enough pollen to suffocate humankind: a drawn-out, mass-casualty event known…
Interview: Nicole McCarthy
All spaces are haunted. In a way, all spaces are about memory. In A Summoning, “a conceptual, psychological experiment focused on memory,” Nicole McCarthy invites readers to sit and feel and think and remember. Throughout this fragmented collection, McCarthy…
Conversations Between Friends: Grant Faulkner and Meg Pokrass
CRAFT is delighted to share a triptych of humorous microfictions by Grant Faulkner, previously included in Best Microfiction 2022. The following pieces take on the subject matter of craft and critical essays from the perspectives of three fictional individuals,…
Interview: Brittany Ackerman
I found Brittany Ackerman’s piece “Mia’s Birthday” in Forever Magazine in the summer of 2021, in the midst of an intolerably painful breakup for which I was wholly to blame. Asked to write an introduction for our conversation, I…
Crafting Endings in Short Fiction
By Jennifer Murvin • There are two quotations I often turn to when thinking about ending a short story; the first comes from Flannery O’Connor, in her essay, “On Her Own Work,” which reads, “I often ask myself what makes…