By Candace Walsh • I almost didn’t read Patricia Highsmith’s The Price of Salt, one of the most influential, relevant, and exquisite novels I’ve ever encountered. Why? I felt like it would be dated. I thought that I should…
By Micah Perks • A reader recently emailed me about my new collection of linked short stories, True Love and Other Dreams of Miraculous Escape: she appreciated “all the tiny details, like breadcrumbs that you sprinkled along the way. Reading…
By Melissa Benton Barker • Natashia Deón’s novel, Grace, is a both a warcry against and a lament upon the violence inflicted on the Black female body under the conditions of slavery in the United States. The novel is narrated…
By Laura Nicoara • So she would still find herself arguing in St. James’s Park, still making out that she had been right—and she had too—not to marry him. For in marriage a little licence [sic], a little independence there…
By Amber Wheeler Bacon • David Gates doesn’t recommend flashbacks to new writers when he’s teaching fiction. When line editing a student’s piece, he cuts pretty much every flashback he sees. I know because he cut plenty of mine when…
By Amelia Brown • Daisy Johnson is quite obviously inspired by folklore in her debut collection of stories, Fen—her pages are home to sentient objects, immortal monsters, and animal transformations galore. In fact, Johnson’s stories pledge their allegiance to two narrative…
By Elizabeth Mayer • Death and loss and decay pervade the stories of Joy Williams’s collection Escapes. If a character is not facing the immediacy of their own death, often they are mourning the loss of someone close to them. Yet…
By Chaya Bhuvaneswar • The display is brightly lit, and arranged on a carpet of that fierce emerald-green artificial grass used by greengrocers and undertakers. Round the edges on open shells, is a border of raw scallops, the pearly flesh dulling,…
By Laura Rock Gaughan Faced with the happy prospect of preparing Motherish, my short story collection and first book, for publication, I panicked. Not only did the task demand a decisiveness I lack, but I wanted to be moving on:…
By Sarah Stone In writing fiction, we’re always looking for ways to manage the release and restraint of information, introducing our characters and situations while avoiding the dreaded exposition junk pile at the beginning (many of us do have a…
