Telling Time: Fiction As Clockmaking
By Alix Ohlin • A few years back, in New York, I sat through four hours of Christian Marclay’s 2010 video art work “The Clock.” This was actually the third time I’d seen it, but I still went in…
Author: Guest Author
Interview: Wendy J. Fox
Wendy J. Fox’s recent novel, If the Ice Had Held, out now from Santa Fe Writers Project, explores the secrets of a Colorado family and how far its members have gone to keep them. Told in alternating perspectives, the…
Interview: Nancy Stohlman
Nancy Stohlman’s new book, Madam Velvet’s Cabaret of Oddities, is a dizzying array of flash and vignette stories that put the reader behind the scenes of vaudeville and freak show acts from the era of traveling circuses. If you’ve ever…
The Uncanny: Joanna Pearson’s EVERY HUMAN LOVE
By Nick Fuller Googins • Snooping through my father’s desk at age twelve, I discovered a bundle of papers related to our very old house. Within this bundle was a photocopy of a newspaper article from the 1800s, which…
What’s in a Name? Only Everything
By Aaron Hamburger • One of the most vexing tasks fiction writers face is naming their characters. Over the years, I’ve heard of writers searching for names in baby books, phone books (back when people had phone books), and…
Myth Made New: Madeline Miller’s CIRCE
By Tim Weed • Like her debut, The Song of Achilles, Madeline Miller’s Circe offers readers a fresh and defamiliarized retelling of classical Greek mythology. It’s a retelling informed by the author’s thorough knowledge of the subject and energized…
Joke-Telling in Lorrie Moore’s “You’re Ugly, Too”
By Kate Kaplan • People tell jokes to attract attention or deflect it, to express a point of view, to connect, to offend, or in the hope of shared laughter. Some people (disclosure: me) tell jokes to themselves, rehearsing…
Theatre Novel: Joseph Scapellato’s THE MADE-UP MAN
By Mike Corrao • Joseph Scapellato’s The Made-Up Man, released in February by FSG, centers on the protagonist, Stanley’s participation in an exploitative performance piece coordinated by his wealthy Czech-based uncle. Invited to apartment-sit in Prague, Stanley bears witness…
The Ears and Noses of Beholders in THE PRICE OF SALT
By Candace Walsh • As thousands of tweets and several articles attest, women have grown weary of the way many male writers describe female characters: zooming in on their body parts with a Porky’s-gaze, to the exclusion of describing…
The Queer Gaze and the Ineffable in THE PRICE OF SALT
By Candace Walsh • I almost didn’t read Patricia Highsmith’s The Price of Salt, one of the most influential, relevant, and exquisite novels I’ve ever encountered. Why? I felt like it would be dated. I thought that I should…