By Candace Walsh • “We live in a world that has unconstrained wildness, and we like to forget we are part of that wildness,” says Madeline ffitch, author of PEN/Hemingway Award–finalist Stay and Fight. Fiction that only acknowledges characters’…
By Mark Gozonsky • 1 My favorite books explore the contours of the narrator’s brain, and I’ve never read anything that does this so well as Rachel Cusk’s Outline. I first encountered the striking cover image on the windowsill…
In her debut novel, The Book of X (Two Dollar Radio, July 2019), Sarah Rose Etter explores fear and femininity through the character of Cassie, a girl who was born with her stomach twisted in the shape of a…
By Emma Sloley • Seven is the optimal number of cats. Four is acceptable but dicey, and only three is worth getting nervous about. Any fewer than three is cause for great mental anguish and an absolute certainty that…
By Candace Walsh • In Zadie Smith’s short story “Crazy They Call Me,” the author makes the unconventional choice to present Billie Holiday as a second-person-singular narrator. This strikes me as a literary high-wire act, plausibly the result of…
By Nicole Barney • Garth Greenwell’s second novel, Cleanness, revisits the territory of his debut, fleshing out the experiences of the narrator beyond those of his encounters with Mitko, a young man he meets in a public bathroom and…
By Melissa Benton Barker • The stories in Mary Gaitskill’s collection Don’t Cry are like tiny mirrors held close, all the pores and blemishes of her characters offered up for the readers’ inspection. Published in 2009, the collection scrupulously…
By Gwendolyn Edward • I’ve often battled with how to better develop secondary characters in short stories that use a limited, third-person point of view. While I’ve learned how to use my main character’s memories and current thoughts to…
By Jesse Motte • When I read Dustin M. Hoffman’s first collection, One-Hundred-Knuckled Fist, during undergrad, it felt like I’d been suddenly gut-shot by some invisible, benevolent entity. The shock excited me. I prefer my writing like that: unforgiving…
By Amber Wheeler Bacon • In the third draft of my novel, I’m still messing with structure. It feels like I’ll always be messing with structure. To experiment, I’ve tried copying the frameworks of different novels I love: Purity…
