Wisdom and Wisdom Teeth: Against Relatability

“The human life is individual; it is not unique.” —Bee Yang, via Kao Kalia Yang “There are two types of people in the world: them who have and them who will.” —Dad By Karen Babine • Over the years,…
“The human life is individual; it is not unique.” —Bee Yang, via Kao Kalia Yang “There are two types of people in the world: them who have and them who will.” —Dad By Karen Babine • Over the years,…
Consider the personal effects one leaves behind, the way those objects, once laid out, recall the idiosyncratic logic of a life—is there more compelling inspiration for a novel? Authors Coco Picard and Sue Mell met through the BookEnds SUNY…
Essay by Tyler Barton • Someone recently asked me why I set many short stories in the aughts. It’s true that I have a fascination with those years because they were my formative ones, ones in which I was not…
By Vera Kurian • How I wish I could go back and watch The Sixth Sense for the first time again, because when I first saw it, someone had already revealed the twist to me. In retrospect, it was…
Essay by Sam Dilling • Cara Blue Adams’s debut short story collection, You Never Get It Back, is a nuanced portrait of love, loss, and longing. The stories follow the life of Kate Bishop, the central character, from childhood,…
In 1992, when I was twenty-two and nearing graduation with a degree in biology, I somehow talked my advisor into letting me replace technical writing with a course in fiction to fulfill my requirements. That’s how I met Al…
How “The Ghost Birds” Spreads Its Wings after Taking the Leap By Albert Liau • How does a story begin to enchant us? When speaking with First Draft host Mitzi Rapkin, Richard Powers seems to suggest an answer: “You…
CRAFT is thrilled to welcome Alan Heathcock as guest judge for our 2022 Short Fiction Prize. Heathcock is the author of Volt, a collection of short stories from 2011, and 40, a debut novel that publishes on August 2,…
By Katy Scarlett • In 1979, Rosalind Krauss published her now-famous essay “Sculpture in the Expanded Field,” which explored how new forms of three-dimensional art-making borrowed from sculpture, monument, architecture, interior and landscape design. She writes, “as the 1960s began…
Elvia Wilk’s nonfiction debut, Death by Landscape (out July 19, 2022, via Soft Skull Press), investigates how we might displace human-centered narratives. Through literary immersion, research into spectral encounters and virtual reality, reflections on her own physicality, and first-person…