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ANNOTATIONS, REVIEWS, and CRAFT BOOKS

What Tells You

September 24, 2019

  By Gabriel Brownstein • For years, I’ve assigned Joan Didion’s essay “Why I Write” to my fiction writing workshops. For me, as a short story writer, there are two crucial sentences in the essay. Didion precedes these sentences with…

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Hybrid Interview: Molly Gloss

August 13, 2019

  Essay by Nicole Barney • “Your opening line is a throwaway,” Molly Gloss said during workshop, not unkindly, just matter-of-factly. “An editor wouldn’t read past it.” Granted, my first sentence was no Dickensian gem. It presented no intriguing riddle…

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Hybrid Interview: Ariel Gore

July 9, 2019

  Essay by Melissa Benton Barker • In this cultural moment when bodies and embodied experiences that resist conforming to the cisgender, heterosexual male norm are increasingly marginalized and criminalized, Ariel Gore’s We Were Witches, feminist novel and anti-shame manifesto,…

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The Diarist: Kathryn Scanlan’s AUG 9—FOG

June 11, 2019

  By J.A. Tyler • Other people’s diaries. Strangers. Their words inked across aged paper. Where did it come from? How did it get here? Who owned it, who read it? Hunt on eBay and one could be headed your…

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The Uncanny: Joanna Pearson’s EVERY HUMAN LOVE

May 14, 2019

  By Nick Fuller Googins • Snooping through my father’s desk at age twelve, I discovered a bundle of papers related to our very old house. Within this bundle was a photocopy of a newspaper article from the 1800s, which…

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A Closer Look: MEANDER, SPIRAL, EXPLODE

April 23, 2019

  I hope…that thinking about patterns other than the arc will become natural, that evolving writers won’t feel oppressed by the arc, that they’ll imagine visual aspects of narrative as well as temporal, that they’ll discover ways to design, being…

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Myth Made New: Madeline Miller’s CIRCE

April 16, 2019

  By Tim Weed • Like her debut, The Song of Achilles, Madeline Miller’s Circe offers readers a fresh and defamiliarized retelling of classical Greek mythology. It’s a retelling informed by the author’s thorough knowledge of the subject and energized…

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Theatre Novel: Joseph Scapellato’s THE MADE-UP MAN

March 12, 2019

  By Mike Corrao •  Joseph Scapellato’s The Made-Up Man, released in February by FSG, centers on the protagonist, Stanley’s participation in an exploitative performance piece coordinated by his wealthy Czech-based uncle. Invited to apartment-sit in Prague, Stanley bears witness…

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The Ears and Noses of Beholders in THE PRICE OF SALT

February 19, 2019

  By Candace Walsh • As thousands of tweets and several articles attest, women have grown weary of the way many male writers describe female characters: zooming in on their body parts with a Porky’s-gaze, to the exclusion of describing…

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The Queer Gaze and the Ineffable in THE PRICE OF SALT

January 22, 2019

  By Candace Walsh • I almost didn’t read Patricia Highsmith’s The Price of Salt, one of the most influential, relevant, and exquisite novels I’ve ever encountered. Why? I felt like it would be dated. I thought that I should…

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