ANNOTATIONS, REVIEWS, and CRAFT BOOKS
A Closer Look: GOING SHORT
By Amy Barnes • Nancy Stohlman’s bio reads: Writer, Professor, Performer. Her new craft book, Going Short: An Invitation to Flash Fiction, explores aspects of flash fiction including inspiration, writing, editing, workshopping, the form, collections, and an index of…
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Hybrid Interview: Chloe N. Clark
Essay by Jesse Motte • In a period of world history characterized largely by mandated physical distancing, Chloe N. Clark’s debut collection, Collective Gravities, is an important reference for navigating inner and outer spaces. The collection, driven by character…
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For Better or Worse: On the Failure of the Stand-Alone Excerpt
By Maria Cichosz • The first time I tried to turn part of my novel into a publishable excerpt, I immediately knew it was hopeless. I had just finished working on one novel and was deep into another, having…
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Looking at LOVE: Toni Morrison’s Construction of Desire and Obstacle
By Emilee Prado • Toni Morrison’s novel Love grapples with the vast, mutable, apparitional human experience that we compress into that four-letter word taken as the title. For those who have fallen in and out of romantic love, for…
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Hybrid Interview: Megan Cummins
Framing the Stories: If the Body Allows It by Megan Cummins Essay by Laura Spence-Ash • The architecture of If the Body Allows It, Megan Cummins’s stunning debut story collection, is unique: there are two sets of stories within…
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Master of the Touching Detail: Emmanuel Bove, the Ultimate Writer’s Writer
By Peter Selgin • Beckett said of him, “More than anyone else he has the instinct for the touching detail.” Anyone who has read the works of Emmanuel Bove (1898–1945) would agree. This is especially the case with Bove’s…
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Thick with Noir: Tom Lutz’s BORN SLIPPY
By Sean Hooks • “A drunk sees the world in fragments and I wanted to recreate that,” says Karl Hyde of pioneering British electronica outfit Underworld. “The first time we played it live, people raised their lager cans and…
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An Analysis of the Narrative Voice in Yoko Ogawa’s THE DIVING POOL
By Geoffrey Miller • A different woman character narrates each of the trio of novellas in Yoko Ogawa’s collection The Diving Pool. In the opening, titular piece there’s Aya, a school-aged girl living at a countryside orphanage run by…
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This or That: Simultaneity in John O’Hara’s BUTTERFIELD 8
By Ian Randall Wilson • When I wrote in third person, it was in third-person close. The concerns of simultaneity didn’t occupy much of my attention. There may be a flaw in my thinking here, but my reasoning was…
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Hybrid Interview: Gayle Brandeis
“We want you to know how we lived. That we lived. That we were girls before we were game. That we were alive.” Essay by Melissa Benton Barker • Gayle Brandeis’s recent novel-in-verse, Many Restless Concerns (a testimony):…
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