THE CLASSROOM CORNER
We often hear from creative writing instructors that they find CRAFT to be very useful in the classroom. We listened, and we've made this corner as a quick resource, a curated list of some of our favorites. This list is NOT exhaustive—our pages are full of short fiction, flash fiction, creative nonfiction, critical essays, interviews, roundups of all things literary, and more. This is a handy place to start!
We will continually update this list, so check back when making those syllabi, and for quick inspiration anytime.
Gurov’s Watermelon: Prop Work as Character Work in Anton Chekhov’s “The Lady with the Pet Dog”
By Patrick Thomas Henry • Wherever I write, I stow props: photographs and notebooks, found objects, mementoes of life away from the page. Despite my effort to shake off the strictures of my own workshop experiences, I still believe…
Interview: Lan Samantha Chang
In The Family Chao, publishing today from W. W. Norton, Lan Samantha Chang presents a contemporary Midwestern family in fascinating crisis. I was fortunate to work with Sam in 2018 during the final semester of my MFA studies at…
Interview: Randon Billings Noble
As a writer and professor, I am often on the lookout for books on craft to expand my thinking when I write and to expand my explanatory powers when I teach. A new anthology edited by Randon Billings Noble…
Hybrid Interview: Ira Sukrungruang
Essay by Sam Risak • Author of a combined six books of poetry, fiction, and creative nonfiction, Richard L. Thomas Professor of Creative Writing at Kenyon College, and president of the literary nonprofit Sweet: A Literary Confection, Ira Sukrungruang…
Hybrid Interview: Cheryl Pappas
Essay by Kristin Tenor • There is a certain longing found within Cheryl Pappas’s debut flash fiction collection, The Clarity of Hunger. The sixteen pieces included in the collection, many previously published in well-established literary journals such as The…
Art of the Opening: Tyler Barton
From a distance, you can see the lights. The air is mosquito-thick, damp. The usually desolate backroads of Butler County, PA have become a caravan of motor enthusiasts. From the grassy shoulder, a deer struts with meticulous posture as…
Shaping, Containing, and Dissecting Emotion in Kristen Radtke’s SEEK YOU
By Stephanie Trott • I learned to love long-form graphic narratives during a time often associated with loneliness: college. Neither wunderkind nor department darling, I often felt an imposter in my undergraduate English classes and struggled to determine one…
Interview: Robert Lopez
Robert Lopez’s fiction delves deep into those devastating moments which bring into question how it is we survive this strange, oftentimes volatile, experiment we call life. His characters are real people with real problems, many of them confused as…
Classics in the Maze: Michael Ende’s THE MIRROR IN THE MIRROR: A LABYRINTH
utque ope virginea nullis iterata priorum ianua difficilis filo est inuenta relecto —Ovid, Metamorphoses Das stammt alles aus anderen Zeiten. —Michael Ende, Der Spiegel im Spiegel. Ein Labyrinth Essay by Tamara Beneyto • Writer Michael Ende is mainly…
On (Not) Tracking Movement
By Mike Goodwin • Part I: In Action On its own, readers see a sentence like the opening of Raymond Carver’s “The Bath” which reads, “Saturday afternoon the mother drove to the bakery in the shopping center,” and react…