Abigail Beckel and Kathleen Rooney founded Rose Metal Press in 2006 “to support innovative hybrid writing and provide a publishing home for transgressive, unusual, and hard-to-categorize literary projects.” In addition to exciting hybrid work, the press has published an…
1A I slip into a crowded theater to feel close to people without being seen. My elbow just barely on the armrest, I watch the film color the room yellow then blue, each face in my peripheral blurred by…
We haven’t seen her in weeks, our neighbor with white hair that tufts and spumes, not a trace of color in it, not even a sliver of gray. We never learned her name, but we noticed—the way you notice…
A stowaway made the long trip to the United States with my mother, father, and me. Unbidden and unticketed, tucked into the pocket of a gray overcoat, chilled by early fall’s ocean breezes, pushed back by hope—grief nevertheless made…
I started writing lyric essays long before I knew the language for what I was doing. Working at the intersection of poetry and prose, I wrote about big emotions (love, grief) because I wasn’t sure how else to convey…
For Margaret Wise Brown In the great green room once known as The Earth, we stretched out in dry grass and stared up at the sky, arms akimbo behind our heads. Elbows for miles. There was a telephone, once…
“My memory serves me far too well.” —George Michael 1979 I’ve heard the story a hundred times. Fourteen phone call attempts before my mother snagged my brother’s first babysitter, Sarah, a quick-witted high school sophomore. She showed up from…
Content Warning—disordered eating I At night, I find myself lying in bed near bursting with memory, as if something gone could still rip through me and flower. And yes I let myself get hungrier. It feels impossible to…
By Beth Kephart • The writer of the memoir in pieces is an assembly artist—a hunter, a gatherer, an arranger, a culler, a keeper. They are not at work on a collection of essays loosely bound by voice, style,…
By Katy Scarlett • In 1979, Rosalind Krauss published her now-famous essay “Sculpture in the Expanded Field,” which explored how new forms of three-dimensional art-making borrowed from sculpture, monument, architecture, interior and landscape design. She writes, “as the 1960s began…
