“You’re a highly intelligent individual, and I’m sorry, but you probably know already that intellect and depression often run together.” The school counsellor raises her hand up and down to simulate a wave. “Your thoughts and your moods move…
More and more, I think about how, at its base, creating art is not a solitary experience but one meant to be shared with friends and like-minded people. In her recent craft book, Acetylene Torch Songs: Writing True Stories…
“Today I believe in the possibility of love; that is why I endeavor to trace its imperfections, its perversions.” ―Frantz Fanon, Black Skin, White Masks Chapter One: Orchid Tattoo 1. …granulation tissue Granulation tissue is cell growth, after…
Here they are, the two men in my life who have stepped forward in an executioner’s line. We’ll take the shot, they’re saying, as they assume positions in twin chairs stationed in every cardiologist’s office we’ve visited since my…
She says go like this and bares her teeth at me, lips pulled back. All the other girls lean in to see inside my mouth, too close. I smell the leather of their shoes, but I don’t flinch. Jagged,…
“I like your look,” you say, cradling your laptop, maneuvering past the jutting armrests to sit next to me. “Thanks.” I put a limp bundle of shoestring fries into my mouth. The armrests, you explain, are to keep people…
By Joseph Young • Writers are often told, whether by their instructors or about the internet in general, that in their finished stories, there should be no wasted words, no extraneous sentences, no details or lines of dialogue, that…
In this new interview, Editor in Chief Courtney Harler corresponds with Laura Spence-Ash, author of one of this year’s most-anticipated debut novels, Beyond That, the Sea. Spence-Ash is also a former editor and cofounder of CRAFT, and we’re thrilled…
By Sarah Twombly • I am at work on a novel, and have been for more than a decade. It is autobiographical fiction, which is to say it’s about me, but also, it isn’t. The same way Einstein might…
Sibling Circus My brother was addicted to dog biscuits and this might have been how our act started. When our mother arrived, he’d pop one in his mouth, throw one to the real dog and then toss one to…
“Sibling Circus” involves a family’s awareness of a mother’s dangerous fragility, which lives below their sense of security like a fault line about to rupture. My goal was to make this fault line felt while showing the siblings performing their tenuous “circus act.” The plot is, in essence, the imaginative and quirky way two young characters attempt to cope with unimaginable loss.
One of the most fascinating types of flash fiction to me is a one-sentence story because of the urgency it can evoke through its jazzy rhythm. My aim in “Hooked” was to hint at a lifetime of pain that began in a fraught moment of being “captured” by a dysfunctional and dangerous wayward parent. I enjoyed blending the unreliability of the stressed child character’s voice with her later adult awareness, while trying to piece together “what happened” from the moment of trauma.
MEG POKRASS is the author of nine collections of flash fiction and two novellas in flash. Her work has been published in three Norton anthologies of flash including Flash Fiction America, New Micro, and Flash Fiction International; Best Small Fictions 2018, 2019, 2022, and 2023; Wigleaf Top 50; and hundreds of literary journals including Electric Literature, McSweeney’s, Washington Square Review, Split Lip, storySouth, and Passages North. Her new collection, The First Law of Holes: New and Selected Stories by Meg Pokrass, is forthcoming from Dzanc Books in late 2024. Find her on Twitter @megpokrass.
