At the Center by Chelsea Sutton
When the sun sets, the whole neighborhood glows red and I taste blood around my teeth. Maybe I’m not flossing enough. I can’t afford to go to the dentist; I can’t pay someone else to clean up my mess.…
When the sun sets, the whole neighborhood glows red and I taste blood around my teeth. Maybe I’m not flossing enough. I can’t afford to go to the dentist; I can’t pay someone else to clean up my mess.…
The electronic beat pulses through my veins like a drug, and I shimmy toward the man. He takes my hand in his soft warm palm and pulls me close. “Guapa,” he whispers in my ear, his breath steamy. His…
“Good bones”, the agent says. “These old houses. See?” We see how the jacaranda haloes purple all around, how tulips cry like tears from out the soil but upside down. We see how the river at the garden’s edge…
There’s a hill in Rio that overlooks the water, named for the fact it has two peaks. You describe it to me, but I don’t catch its name as you take my breasts in your hands, nuzzle my neck…
By Tim Weed • Ours is an age of online media. We imbibe great doses of it through our laptops and smartphones and large-screen TVs. With the help of algorithmically informed techniques that are addictive and sometimes close to…
By Sean Hooks • “A drunk sees the world in fragments and I wanted to recreate that,” says Karl Hyde of pioneering British electronica outfit Underworld. “The first time we played it live, people raised their lager cans and…
Ben and I are sitting side by side in the very back of his mother’s station wagon. We face glowing white headlights of cars following us, our sneakers pressed against the back hatch door. This is our joy—his and…
They slept much better using a disc-shaped noise machine from which they could select a variety of soothing sounds: Ocean Waves, Birdsong, Tropical Breeze, Summer Night. They always chose Summer Night, so whatever season it was or should have…
She applied the last dabs of paint to the mermaid’s tail. “I’m about to die in here,” she said, knuckling a stray hair from her eyes. I opened a window. Outside, the woods were ablaze with soft browns and…
When we were twelve, we taught ourselves to fly. —John Murillo, from “Renegades of Funk” All of us girls, now women. —T Kira Madden, from “The Feels of Love” That winter, we watched New York Undercover on group phone calls,…
In lieu of an author’s note, we’ve compiled a few quotations from recent interviews with Jaquira Díaz in which she discusses her memoir. —CRAFT
“Ordinary Girls is in some ways about navigating a certain kind of black and brown girlhood. So many of the details that were present during our girlhood are erased or disparaged in our literary culture. The details of my life are the details of a working-class life, of growing up in poverty in Miami Beach and in the Puerto Rican housing projects. The music I reference, the music that was the soundtrack to my life, was music of the streets. Hood culture is not considered high art, but what is hip-hop if not poetry? 2Pac was a poet. So was Nas. The old salsa I grew up on was made up of storytelling and myth and poetry. Héctor Lavoe and Willie Colón and Lucecita Benítez were storytellers and poets as well as singers. Music taught me to write sentences. I learned more about writing from The Miseducation of Lauryn Hill than I ever learned from Hemingway.”
—Jaquira Díaz speaking about Ordinary Girls to Rebecca Godfrey for The Paris Review, December 19, 2019
“I definitely wish that there were more writing about girlhood and navigating a certain kind of home. I definitely wish there was more writing about girls growing up in poverty. Queer girls, black and brown girls. I didn’t have any books like that growing up. I mean, I certainly looked for them. I went to a library and what the librarians handed me were books about white people written by white people, written mostly by white men. I wish that there were an abundance of books about brown and black girlhood, about girls who grew up working class or in poverty. I also wish that there that there were just more books about Puerto Ricans, both in Puerto Rico and in the diaspora. When I was writing this book, I mean, I searched out almost every book written by a Puerto Rican in English that I could possibly find. And there weren’t that many.”
—Jaquira Díaz speaking about Ordinary Girls to Ashley N. Perez for The Millions, February 24, 2020