By Chaya Bhuvaneswar • The display is brightly lit, and arranged on a carpet of that fierce emerald-green artificial grass used by greengrocers and undertakers. Round the edges on open shells, is a border of raw scallops, the pearly flesh dulling,…
By Laura Rock Gaughan Faced with the happy prospect of preparing Motherish, my short story collection and first book, for publication, I panicked. Not only did the task demand a decisiveness I lack, but I wanted to be moving on:…
By Sarah Stone In writing fiction, we’re always looking for ways to manage the release and restraint of information, introducing our characters and situations while avoiding the dreaded exposition junk pile at the beginning (many of us do have a…
By Tommy Dean Think about your favorite verbal storytellers, those people in your family who have passed down the history of the joys and tragedies, the small coincidences, and the shared DNA that results in a similar nose, an ornery…
By Laura van den Berg This summer, I spent five weeks at an artists’ residency in Italy, where I had the good fortune of crossing paths with a Swedish composer-performer and visual artist named Charlotte Hug. Known for her musical-visual…
By Mercedes Lucero Until recently, I had a very clear notion of what craft meant. It meant technique. Literary devices. Structure. Figurative language. Setting. Point of view. In short, it meant what happens on the page. It meant careful construction.…
By Katharine Coldiron Writers at all stages of their careers need help understanding where they’re going. Sometimes, when a writer gets stuck, a craft book can help unstick her. Many craft books offer general information about how writing works, or…
By Christina Ward-Niven There is so much to admire, craft-wise, in Don DeLillo’s classic novel White Noise: compelling, empathetic characterization; sharp dialogue; handling of theme through plot and subtext; a tone that consistently weaves wryness with heart. In this essay,…
by Rebecca Makkai It’s hard enough to make our characters act, make them do and say interesting things. You know what’s harder? Well, lots of stuff. Coal mining, for one. Come on, writing is a pretty cushy job. But here’s…
Credo: An Anthology of Manifestos & Sourcebook for Creative Writing Editors: Rita Banerjee, Diana Norma Szokolyai Reviewed by Katharine Coldiron Often, writing reference books labor under a single focus, but Credo, a collection of essays assembled by members of…
