THE CLASSROOM CORNER
We often hear from creative writing instructors that they find CRAFT to be very useful in the classroom. We listened, and we've made this corner as a quick resource, a curated list of some of our favorites. This list is NOT exhaustive—our pages are full of short fiction, flash fiction, creative nonfiction, critical essays, interviews, roundups of all things literary, and more. This is a handy place to start!
We will continually update this list, so check back when making those syllabi, and for quick inspiration anytime.
Interview: Alan Heathcock
CRAFT is thrilled to welcome Alan Heathcock as guest judge for our 2022 Short Fiction Prize. Heathcock is the author of Volt, a collection of short stories from 2011, and 40, a debut novel that publishes on August 2,…
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In the Expanded Field: The Lyric Essay & Genre Queerness
By Katy Scarlett • In 1979, Rosalind Krauss published her now-famous essay “Sculpture in the Expanded Field,” which explored how new forms of three-dimensional art-making borrowed from sculpture, monument, architecture, interior and landscape design. She writes, “as the 1960s began…
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Interview: Elvia Wilk
Elvia Wilk’s nonfiction debut, Death by Landscape (out July 19, 2022, via Soft Skull Press), investigates how we might displace human-centered narratives. Through literary immersion, research into spectral encounters and virtual reality, reflections on her own physicality, and first-person…
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Interview: Tommy Dean
In Hollows, Tommy Dean’s first full-length flash fiction collection, the narrative lens captures everyday humans at a pivotal moment, where one decision will change everything. Three boys enter the woods carrying a gun. A divorced teacher borrows money from…
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The Glossary: A Concise, Evolving Guide to the Elements of Literary Craft
“Easy reading is hard writing.” —Brad Listi CRAFT. Our journal takes its title from the idea that the art of prose, like other forms of art, can be considered from the perspective of craft—“skill in carrying out one’s…
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Hybrid Interview: Sara Lippmann
Essay by Michelle Ross • Since the first time I read a Sara Lippmann story, I’ve been smitten. Among the inventory of qualities I admire is her wit, her raw honesty, her faith in her readers’ ability to keep…
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Radical Empathy via Free Indirect Speech: Luis Alberto Urrea’s “Mountains Without Number”
By Anne Elliott • One of the noble aims of fiction is the fostering of empathy across difference, including difference of beliefs. Most difficult for me is finding empathy for those with unpalatable beliefs. Softening my gaze puts my…
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Conversations Between Friends: Gale Massey and Louise Marburg
Gale Massey and Louise Marburg met in 2016 at the Sewanee Writers’ Conference over a tarot card consultation. Discovering a shared interest in exploring the dark side of human nature, they immediately clicked and have been friends and writing…
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Never Rush a Rabbit: Prey Animals & Choices in Fiction
By Lee Upton • Probably like many writers I’m protective toward my characters—even though I put them in impossible situations or give them unfulfillable longings. I pretty much pickle them in vulnerability. Sometimes I let them avoid any action…
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Hybrid Interview: Rebecca Kuder
Essay by Jahzerah Brooks • The Eight Mile Suspended Carnival is, at its core, a story about tearing down and building up. In this debut novel set against the backdrop of a working carnival and a wartime munitions factory,…
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