The wind’s at it again. When this happens, I can’t sleep. There have been nights when it felt as though I was awake every minute, staring into the darkness and listening to the howling, swooshing, relentless sound. It gets…
Welcome to 2020! Most months we roundup our most-anticipated new fiction releases. January has a bounty! Megan Angelo, Followers “If anyone is going to explore a future version of our high-tech, internet-obsessed culture, please let it be Megan Angelo.…
“Can you get to Heaven with broken teeth?” Louis asks Margaret. “Sure can,” Margaret says, as she yanks his dresser drawer, derailing the shelf and spilling clothes onto the floor. Two hours into her shift, already exhausted and dreading…
By Jesse Motte • When I read Dustin M. Hoffman’s first collection, One-Hundred-Knuckled Fist, during undergrad, it felt like I’d been suddenly gut-shot by some invisible, benevolent entity. The shock excited me. I prefer my writing like that: unforgiving…
Inspired from a photo by Mary Ellen Mark Lisa’s sitting in the baby pool with chubby Annie even though they aren’t babies anymore. The plastic green pool is in the driveway of Annie’s Aunt Jean’s house. Lisa is nine…
By Amber Wheeler Bacon • In the third draft of my novel, I’m still messing with structure. It feels like I’ll always be messing with structure. To experiment, I’ve tried copying the frameworks of different novels I love: Purity…
Fred was a runner, so it’s been hard to keep him still. Now we’re both still, save for his tremors. A once-in-a-lifetime athlete, they called him. And not that he didn’t run fast, he did, but Brewster was a…
Welcome to the final 2019 roundup of new fiction we can’t wait to read! Howard Fast, The General Zapped an Angel, with a new introduction by Mark Harris “Fantastical, oddly endearing stories rescued from the ravages of time…A collection of…
Benjamin Percy’s new book, Suicide Woods, released in October with Graywolf Press, is a collection of eerie and visceral short stories that walks an electric tightrope of genre and literary fiction to the pulsing phantoms of boogeyman and creatures that…
Nobody at the Powers That Be figured out the source. But something happened. And below, the town experienced a tired day. Everyone woke. Carol showered. Alfred ate breakfast. Sandra contemplated suicide. Others kissed spouses or parents or pets or…
Story ideas dried up during the spring of 2018. Drafts sputtered.
As a writer, I was stuck.
I tried to blame it on my adjunct teaching jobs, which regularly saw me shuttling between three institutions and helming five or six classes every semester, but I also suspected my brain simply wasn’t able to take on the stories waiting for me on my desktop. Perhaps, I thought, I wasn’t good enough to see my ideas through.
Instead of writer’s block, I feared I suffered from writer’s exhaustion.
To shake things up, I dusted off some old story drafts: Word documents that survived multiple hard drive migrations and which hid in a file labeled, appropriately, “Abandoned.” And in looking at these forgotten nuggets of prose, something came alive within me. For lack of a better phrase, I could see the story again, and so I started revising texts I had discarded a decade (or more) earlier, newly inspired by these old words. I cut a four-page story down to a single paragraph. I pulled lines from a broken heap and dropped them into a new story idea like I was scouting a junkyard for a spare carburetor.
I had a ball playing, and during this binge into the past, I came to realize that, sometimes, ideas take time to flourish. That as a writer, it’s often less about being “able” or “good enough” to tackle an idea and more about being ready to follow a thread.
“The Tired Day” was born from this awareness. As far as I can tell, I wrote the first draft in March of 2009. Looking at file dates, I let it sit until mid-2018, when I brought it back to life. I didn’t commit myself to revising until early 2019, but once I did, the story clicked. What I couldn’t see in 2009 seemed plain as day ten years later, and after rewrites and work with an editor, the story was finished.
All it took was time.
Patience.
Still, if in reading this you think I am advocating that every old, crummy draft is merely a diamond waiting for rediscovery, please do not be fooled. Most files I opened in the “Abandoned” folder ended up there for good reason: the ideas were bad.
I am instead trying to say that for some of us, the inventive parts of our brains may pace themselves ahead of the grey matter devoted to composition. And perhaps, hidden on a hard drive, there is a deserted story we all are just now ready to handle, waiting for us to remember its existence.
BENJAMIN WOODARD is editor in chief at Atlas + Alice. His fiction has appeared in Best Microfiction 2019, SmokeLong Quarterly, Hobart, and others. His nonfiction and literary criticism have appeared in Barrelhouse, Kenyon Review Online, the anthology Miscellany: Essays By Young(ish) American Voices, and others. He teaches English and Creative Writing in Connecticut and can be found at benjaminjwoodard.com.
