New books Out This Week!

Here’s a quick look at some of the great books out the week of October 16. Happy pub day to all! C. Morgan Babst, The Floating World Algonquin / Workman From Kirkus Reviews: “’Grief was infinite, though, wasn’t it,’ thinks…
Here’s a quick look at some of the great books out the week of October 16. Happy pub day to all! C. Morgan Babst, The Floating World Algonquin / Workman From Kirkus Reviews: “’Grief was infinite, though, wasn’t it,’ thinks…
Dialogue is the one of tools we have for showing us who the characters are and how they relate to each other. The best dialogue includes some amount of subtext and conflict. One of the good ways to get at…
And suddenly then everyone was getting married. In October alone I had three weddings in the woods three weekends in a row. To each I wore the same nude heels but different backless dresses and elegant plum gloss that made…
Crash Course, Robin Black Engine Books, 2016 This lovely collection houses a series of essays on writing and on life. Many of the short essays live in the place where writing and life intersect, and as the book progresses, you…
One of the best ways to work on your craft is to participate in a writing class. Depending on where you live, though, it may be hard to find a good in-person workshop or class. Luckily, there are many good…
Here’s a quick look at some of the great books out the week of October 9. Happy pub day to all! Marian Crotty, What Counts as Love University of Iowa Press From Publishers Weekly: “Crotty’s impressive debut collection is…
The word “secret” comes from the Latin verb secernere; se: to set apart and cernere: to sift. The etymology of the word seems particularly appropriate for fiction: as both readers and writers, we are always sifting through a story in…
Here’s a quick look at some of the great books out the week of October 2, 2017. Happy pub day to all! T.C. Boyle, The Relive Box Harper Collins From Publishers Weekly: “Settings for the 12 stories range from the…
Kay, Kay, come closer. “No!” She glared at the canal bridge defiantly. If she did as it suggested, she’d die. A puff of smoke, a sizzle of flesh, a fried heart. Caput. Kay, Kay, it will be fine. She stifled…
Some of the great writers use little interiority. They focus, instead, on showing us how the character views the world. Through these moments—when we are looking through the character’s eyes at a room, a character, a landscape—we learn almost more…