fbpx
>

Exploring the art of prose

Menu

Tag: Form

Interview: Jeannie Vanasco

Image is the book cover for "A Silent Treatment" by Jeannie Vanasco. Title card for the new interview with Jeannie Vanasco.

  Memoirist Jeannie Vanasco’s third book, A Silent Treatment, will be released by Tin House on September 9. Jeannie’s mother starts using the silent treatment shortly after she moves into a renovated apartment in Jeannie’s home. Over the five years…

Read More



The Ghost of Amy Winehouse by Jasmine Ruff

Image is a color photograph of red wine on a tree stump in the middle of a field; title card for the fiction story "The Ghost of Amy Winehouse" by Clara Otto.

  Content Warnings—alcohol overdose, death   Welcome to the Grocery Supreme Aptitude Test™. This test is divided into the following five sections: Commuting and Tardiness, Opening Duties, Product Management, Customer Service, and Long Answer Questions. A few important notes: You…

Read More


Omnipresence by Justine Teu

Image is a photograph of four lit beeswax candles in the dark; title card for the new creative nonfiction essay, "Omnipresence," by Justine Teu.

  1. The first ghost I ever learn about is God, circa 1998, in a kindergarten classroom in Queens, New York. My parents have sent me to Catholic school not out of religious devotion, or some need for strictness, but…

Read More




Interview: Pik-Shuen Fung

  Pik-Shuen Fung’s Ghost Forest was first a visual artwork that evolved into a manuscript, which then became her debut novel. The story is a lyrical and tender one written in vignettes about a daughter grieving her father. The unnamed…

Read More





Author’s Note

After a long well-fought battle with cancer, my brother left this world far too young. He left three children and a load of powerful memories that I have no idea where to put. He was two years my senior and extremely competitive. Sports and fighting were our only method of communication. Win or lose was our emotional intelligence inheritance. We shared a great love for each other but few words, so I search for them continually in his memory.

As for form, I just try to keep it as short as possible and factual, which isn’t as easy, as my imagination is as strong as he was—infinitely horsepowered. I send these caught moments into the world with hope that they will help others house their own memories.

I miss playing our games, Jon. Miss you, brother.

 


DM O’CONNOR has an MFA from University College Dublin and the University of New Mexico. He is a contributing reviewer for Rhino Poetry and fiction editor at Bending Genres. His work has appeared in Splonk, A New UlsterFractured Lit, Cormorant, Crannog, Opossum, The New Quarterly, The Irish Times, The Guardian, and others. He is the recipient of the 2021 Cúirt New Writing Prize, Tom-Gallon Trust Award, and is the current writer-in-residence at the Kerouac House.