By Candace Walsh • In Jess Walter’s “Famous Actor” and Carmen Maria Machado’s “The Husband Stitch,” the authors use intertextuality as a structural element: a rhythmic, outside-of-time interruption of the chronological main story. Simultaneously, each of the female narrators…
By Candace Walsh • In Jess Walter’s “Famous Actor” and Carmen Maria Machado’s “The Husband Stitch,” the authors use intertextuality as a structural element: a rhythmic, outside-of-time interruption of the chronological main story. Simultaneously, each of the female narrators…
Essay by Melissa Benton Barker • In this cultural moment when bodies and embodied experiences that resist conforming to the cisgender, heterosexual male norm are increasingly marginalized and criminalized, Ariel Gore’s We Were Witches, feminist novel and anti-shame manifesto,…
Gökçe watches her younger brother stride up the street to her flower shop in his only suit coat, carrying a borrowed briefcase. The coat does not have holes yet, but the hem of the sleeve has come undone, and…
1 Work the cold meat from the last bone. Still numb from the fight, I eat Gil’s leftovers. He ordered his usual two dozen of Blazin’ Hot. Bastard. He knows habanero burns my gums. Lick the buffalo sauce off…
Let it be entered into the record by fifteen-year-old Yael [Last Name Redacted] of New York, NY: The recent presentation, entitled “The Finest Little Girl in the World,” given by Dr. Feinstein and Dr. Letham at the Annual Conference for…
Your stories make great use of traditional narrative structure. By this I mean: a strong tension builds until they reach a climax. A few stories from God Bless America—the title story; “Donkey Greedy, Donkey Gets Punched”; “A Jew Berserk on…
