Story of You by Christine H. Chen

When you were three years old, you climbed up your Ma’s massive mahogany bed, you poked her gently, then shoved, and when she still didn’t move, you tried to pry open her eyes with your fingers because you didn’t…
When you were three years old, you climbed up your Ma’s massive mahogany bed, you poked her gently, then shoved, and when she still didn’t move, you tried to pry open her eyes with your fingers because you didn’t…
By Jennifer Murvin • There are two quotations I often turn to when thinking about ending a short story; the first comes from Flannery O’Connor, in her essay, “On Her Own Work,” which reads, “I often ask myself what makes…
I ended it in Chicago, when the snow bloomed in every direction and plows passed over and over across the major roads like blunted razors. It was no use; people abandoned cars in the middle of streets. Cafés shuttered.…
This is a story about oranges. The fruit the rich kids ate when the rest of us ate mandarins. Those kids were nicknamed Orenji-jok and rode fancy cars in Apgujeong. We waited for the winter to buy boxes of…
Essay by Cavar Sarah • I have never understood the fear of birds. “Because they are so far from us,” I am told by well-meaning humans. “Because we lack ways to tell what they are feeling.” I try to…
When my widowed father was the age I am now, he married a woman the age I was then. The thirty-year difference didn’t bother his friends, though some objected to his haste, claiming he had but transferred my mother’s…
People will say Ry must have planned the robbery for weeks. They’ll want purpose and emotion and strategy. They’ll say she had a gun tucked into a pocket. They’ll say she must have been desperate: four kids at home…
“The 2024 election will be all about Taiwan,” our boyfriend, Jeremy, says. We’ve turned off all the lights except the one over the stove in the attached kitchen, and now we’re getting high on the plaid sofa in the…
The editors at CRAFT are thrilled to welcome Amelia Gray as the guest judge of our 2022 Amelia Gray 2K Contest, which is open to microfiction, flash fiction, and prose poetry pieces under two thousand words. Gray is a…
In the winter of 2014, Sadaf Ferdowsi took a creative nonfiction class taught by Dr. Sarah Fay. A longtime contributor at The Paris Review, Fay taught her the interview form while instilling a healthy suspicion on the limits of…