In T. J. Martinson’s forthcoming novel, Her New Eyes, an experimental eye transplant with unexpected side effects upends the life of a sixty-eight-year-old florist living in modern-day Indiana. Soon after the procedure, the protagonist, Susan, begins receiving sporadic visions…
By Kim Lozano • I’m a slow reader. I sometimes pluck a book from the shelf based not on whether its subject matter appeals to me, but whether or not it’s skinny or fat. So when I recently read…
“Which is harder: the first sentence or the last?” Several years have passed since the 10-Minute Writer’s Workshop ended, but this podcast series still feels fresh, thanks to its punchy format of lightning-round Q&A with authors that briefly yet meaningfully…
By Deirdre Danklin • In the morning, the cat puts her nose on my nose and meows. My husband gets up, feeds her, and makes oatmeal. I stare at the ceiling and don’t think anything. Then it’s: Get up, brush…
Toward a Taxonomy of How Stories Start An invitation. A doorway. A promise to—or even contract with—the reader. There are various ways to think about the opening of a story, but rather than consider what it should be, let’s…
By Gerry Stanek • James Baldwin finds a unique way to interiority in “Sonny’s Blues,” which was first published in 1957. I say unique, because I’m not sure there’s another story like this; a character’s thoughts and perceptions are…
By Candace Walsh • In Jess Walter’s “Famous Actor” and Carmen Maria Machado’s “The Husband Stitch,” the authors use intertextuality as a structural element: a rhythmic, outside-of-time interruption of the chronological main story. Simultaneously, each of the female narrators…
By Paul Crenshaw • As an undergraduate I wrote a lot of autobiographical fiction in which narrators from small Southern towns attempted to escape the confines of their region, all the conservative culture and Christianity that wrapped around them…
By Nancy Au • In the title essay of The Empathy Exams, a 2014 collection by Leslie Jamison, the author writes about her time as a medical actor playing Stephanie Phillips, a fictional patient who experiences seizures as a…
By Candace Walsh • In Jess Walter’s “Famous Actor” and Carmen Maria Machado’s “The Husband Stitch,” the authors use intertextuality as a structural element: a rhythmic, outside-of-time interruption of the chronological main story. Simultaneously, each of the female narrators…
