“Meet Behind Mars” is the title story in Renee Simms’ debut short story collection, published by Wayne State University Press this month. The story, which you can read here in a slightly altered version, is in the form of a…
By Louise Marburg There is perhaps nothing more annoying to hear from an editor that they find a character too unsympathetic to be believable. Part of me wonders if the character in question might in fact be all too believable,…
A note from the author accompanies each of the stories we publish. We ask the author to write something—anything—about the craft in their story. We love these Author’s Notes, as they shed an important light on each story. Every time…
The start to a story is so important. It’s what draws the reader in, it’s what sets the stage for everything to come. When we read stories (and especially when we read submissions!), an arresting first line can capture our…
In studying the craft of fiction, story and plot seem like simple enough concepts: story is the chronological sequence of events while plot is those same events, reordered by the author. In an attempt to consider how to construct meaning…
Or, How Good Writing is Just Like Good Conversation By Natalie Serber Much to my delight, The New York Times Magazine recently published a feature on “The Art of the Dinner Party.” Along with recipes (try this one for my…
On Ending Polyphonic Novels by Rachel King I write multivoiced fiction, a technique also known as writing polyphonically, from the musical technique polyphony, where two or more melodies are played at once. However, in writing, unlike in music, different voices…
