Amy had never noticed it before. It might have just appeared during the night, but it was so innocuous, it could have been waiting there, unobserved, for years. This childish symbol, something like a diamond with rays emanating from…
The heron stands on wet sand and picks at a still-live crab. It drags it through the surf, shakes it under water. It tosses the shell into the air and catches it in the middle of its waxy jaws.…
By Alix Ohlin • A few years back, in New York, I sat through four hours of Christian Marclay’s 2010 video art work “The Clock.” This was actually the third time I’d seen it, but I still went in…
The night sky above the East Jerusalem neighborhood of Shufat burned with magnesium. Sizzling flares swayed to the earth on tiny parachutes, trailing smoke tendrils like a demon’s nostrils. Yaccoub leaned over his elbow onto the ambulance’s open windowsill,…
The topic is prehistoric humans and their place in the food chain. It says so right in the substitute lesson plan. Highlighted in yellow and underlined. Well shoot, I think. I’d hoped I’d be teaching something I already knew…
By Amber Wheeler Bacon • David Gates doesn’t recommend flashbacks to new writers when he’s teaching fiction. When line editing a student’s piece, he cuts pretty much every flashback he sees. I know because he cut plenty of mine when…
Nick White’s story, “The Lovers,” is the opening story in his collection, Sweet & Low, published in June, 2018. Originally published in The Literary Review, this story masterfully uses a point-of-view that moves back and forth between the two main…
