By Sarah Stone In writing fiction, we’re always looking for ways to manage the release and restraint of information, introducing our characters and situations while avoiding the dreaded exposition junk pile at the beginning (many of us do have a…
By Tommy Dean Think about your favorite verbal storytellers, those people in your family who have passed down the history of the joys and tragedies, the small coincidences, and the shared DNA that results in a similar nose, an ornery…
By Laura van den Berg This summer, I spent five weeks at an artists’ residency in Italy, where I had the good fortune of crossing paths with a Swedish composer-performer and visual artist named Charlotte Hug. Known for her musical-visual…
In Orchid & the Wasp, Caoilinn Hughes has created a singular character in Gael Foess. From the opening pages, set in Ireland in 2002 when Gael is only 11, to the conclusion, when 20-year-old Gael is back in Dublin in…
By Mercedes Lucero Until recently, I had a very clear notion of what craft meant. It meant technique. Literary devices. Structure. Figurative language. Setting. Point of view. In short, it meant what happens on the page. It meant careful construction.…
By Christina Ward-Niven There is so much to admire, craft-wise, in Don DeLillo’s classic novel White Noise: compelling, empathetic characterization; sharp dialogue; handling of theme through plot and subtext; a tone that consistently weaves wryness with heart. In this essay,…
by Rebecca Makkai It’s hard enough to make our characters act, make them do and say interesting things. You know what’s harder? Well, lots of stuff. Coal mining, for one. Come on, writing is a pretty cushy job. But here’s…
A novel that follows a trio of childhood friends from Dublin to northern California, Dan Sheehan’s debut novel, Restless Souls, nicely investigates male friendship as well as the impact of trauma. Strong first-person voices provide a narrative that flows easily, with…
For Short Story Month, we asked: What, exactly, is a short story? How is different from the novel? How can a definition help you to construct a piece, help you to decide whether your fiction is short or long? We’ve…
By Ariel Lewis I. For a long time I was under the belief that punctuation was of secondary interest to the writer, a micro-concern only for the truly fanatical snob or the lowly copywriter. I held this belief, as a…
